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Jordie Albiston Jordie Albiston i(A26340 works by) (a.k.a. Jordi Albiston)
Born: Established: 1961 Melbourne, Victoria, ;
Gender: Female
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BiographyHistory

Jordie Albiston is an award winning Melbourne-based poet. She studied flute at the Victorian College of the Arts and published her first collection of poetry in 1995. Albiston graduated with a PhD in literature Albiston has a particular interest in 'documentary poetry', and her book Botany Bay Document: A Poetic History of The Women of Botany Bay is based heavily on historical sources such as shipping logs, newspaper excerpts, etchings, and letters. The Hanging of Jean Lee is based on historical research about the last woman hanged in Australia. Both of these works were adapted for musical theatre by composer Andrée Greenwell. The Hanging of Jean Lee was staged at the Sydney Opera House Studio in 2006.

Most Referenced Works

Personal Awards

2019 recipient Australia Council Grants, Awards and Fellowships Literature Arts Projects For Individuals and Groups $45,600
2016 shortlisted Josephine Ulrick National Poetry Prize For 'Boy'.
2014 recipient Australia Council Grants, Awards and Fellowships New Work - Established Writers 14-15 Poetry

Awards for Works

y separately published work icon Euclid's Dog : 100 Algorithmic Poems Melbourne : GloriaSMH , 2017 11413833 2017 selected work poetry

'This is not a book of high mathematics: rather, an attempt to migrate some of the innate robustness, austerity and elegance of Euclidean thought into the realm of poetic structure. Albiston's formal experiments do not function as mere theory, dry equation or games, but authentic poetic events, at the same time harmoniously familiar, and strange' (Introduction)

2018 shortlisted New South Wales Premier's Literary Awards Kenneth Slessor Prize for Poetry
2017 shortlisted Queensland Literary Awards Judith Wright Calanthe Award
y separately published work icon The Sonnet According to 'M' Melbourne : John Leonard Press , 2009 Z1668842 2009 selected work poetry

'The letter 'm' is emblematic of recurrence and precipitousness in these poems. They emerge with the wantonness of sensations in everyday life. In this case three lives: maternal grandmother, paternal great-great grandmother and the poet. Jordie Albiston, with characteristic delicacy and zest, limns these very different women as perspectives to each other.

Recurrence is intrinsic to sonnets. They are patterned internally, and are often paroxysmal: a perfect form and formation for poems which worry the distinction between the fatal and the banal.

The sequence tells what happens when you admit the existential into everyday life, in small or large doses. The results can be desolate, or sublime. And comedic as well: Albiston knows how to play between darkness and send-up, when it comes to an arduous and animating tension between body and mind.' (Publisher's blurb)

2010 shortlisted Australian Capital Territory Poetry Prize Judith Wright Award for a Published Collection by an Australian Poet
2010 winner New South Wales Premier's Literary Awards Kenneth Slessor Prize for Poetry
Last amended 9 Sep 2019 11:40:30
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