'Sun Music collects Beveridge’s best poems published over a thirty-year period, from 1987 to 2017. She has selected the poems from her award-winning collections, The Domesticity of Giraffes, Accidental Grace, Wolf Notes and Storm and Honey, and included 33 new poems which build on and enhance her previous work. Beveridge is an exacting poet, precise and controlled, and her formal discipline gives added intensity to her expression of emotion. The combination of clarity and dramatic force, involving a supple use of language which registers the ebb and flow of feeling, makes her poetry immediately appealing and accessible. As she notes in her introduction to this collection, ‘My writing can be kaleidoscopic, often baroque, but I hope also grounded and focused…I am drawn to poetry that has rich texture, and by this, I mean poetry that is distinctly metaphorical, detailed, musically complex, but also clear.’'

Source: Publisher's blurb.

'Suffering from a fatal disease, Lucien Gracq travels to Paris to complete the epic poem he is writing and live out his last days. There he joins a secret writers’ society, Le club des fugitifs, that guarantees to publish the work of its members anonymously, thus relieving them of the burdens of life, and more importantly, the disappointments of authorship. In Paris, Gracq finds himself crossing paths with a parade of phantasms, illustrious writers from the previous century – masters of identity, connoisseurs of eroticism, theorists of game and rule, émigrés and Oulipeans. He flees from the deathly allure of the Fugitives, and towards the arms of his beloved – but it may be too late.

'Written in thirty-four cantos, Blindness & Rage recalls Virgil and Dante in its descent into the underworld of writing, and Pushkin’s Eugene Onegin with its mixture of wonder and melancholy. The short lines bring out the rhythmic qualities of Castro’s prose, enhance his playfulness and love of puns, his use of allusion and metaphor. Always an innovator, in Blindness & Rage he again throws down a challenge to the limits of the novel form.' (Publication summary)

'Spanning poems written in the United States, Central America, Europe and Australia, The Hazards is a dazzling and inventive new collection from award-winning poet Sarah Holland-Batt. Opening with a vision of a leveret's agonizing death by Myxomatosis and closing with a lover disappearing into dangerous waters, Holland-Batt reflects a predatory world rife with hazards both real and imagined. Her cosmopolitan poems careen through diverse geographical territory - from haunted post-colonial landscapes in Australia to brutal animal hierarchies in the cloud forests of Nicaragua, the still Danish interiors of Hammershoi and the serial killer stalking Long Island Sound - and engage everywhere with questions of violence and loss, erasure and extinction. Charged with Holland-Batt's mercurial imagination and swift lyricism, this unsettling and darkly intelligent collection inhabits an uncertain world with a questioning eye and clear mind, unafraid to veer 'straight into turbulence'.' (Publication summary)

'Geoffrey Lehmann’s distinguished career as a poet culminates in this volume of collected work from 1957–2013. Displaying the breadth and depth of his poetry, Lehmann explores human nature in settings as diverse as ancient Rome and rural New South Wales, from searing satire to the domestic life of a family.' (Publisher's Blurb)

'Melinda Smith writes with exuberance and verve in a variety of forms, old and new. She is personal, opinionated,quirky, and you never know what a poem of hers will do. It is like some firework of unknown make and provenance, spluttering into incandescent life with more than a hint of danger. Wide-eyed surprise is her metier and unsurprisingly she is often to be found in the dashing pages of Quadrant where Les Murray has encouraged just such qualities for many years. (Publication summary)