'The strangest place, this world of fact and figment we astonishingly find ourselves inhabiting, is the territory that Stephen Edgar’s poetry has been probing and framing for over four decades now, looking out on the evanescent representations of light and inwards on the mind and “the gyre of its own consciousness”, feeling “toward the labyrinth just behind Creation’s serene surface”, as Alan Gould described it, and “trying to keep faith poetically with that strangeness of the world”, in the words of Peter Steele.

'The Strangest Place offers a retrospective on Edgar’s career, with selections from each of his previous ten books. Opening the collection is a book-length section of new poems, Background Noise, which continues and extends the range of his meditations, with characteristic technical mastery, interspersed with the title’s leitmotiv, whether the notes of lorikeets in the morning trees, echoing voices in an abandoned railway tunnel, the mind’s running commentary or the cosmic hum beyond the death of the stars.' (Publication summary)

'Visceral and energetic, Omar Sakr’s poetry confronts notions of identity and belonging head-on. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a seething, urgent collection from a distinctive new voice.'

Source: Publisher's blurb.

'Sun Music collects Beveridge’s best poems published over a thirty-year period, from 1987 to 2017. She has selected the poems from her award-winning collections, The Domesticity of Giraffes, Accidental Grace, Wolf Notes and Storm and Honey, and included 33 new poems which build on and enhance her previous work. Beveridge is an exacting poet, precise and controlled, and her formal discipline gives added intensity to her expression of emotion. The combination of clarity and dramatic force, involving a supple use of language which registers the ebb and flow of feeling, makes her poetry immediately appealing and accessible. As she notes in her introduction to this collection, ‘My writing can be kaleidoscopic, often baroque, but I hope also grounded and focused…I am drawn to poetry that has rich texture, and by this, I mean poetry that is distinctly metaphorical, detailed, musically complex, but also clear.’'

Source: Publisher's blurb.

'Suffering from a fatal disease, Lucien Gracq travels to Paris to complete the epic poem he is writing and live out his last days. There he joins a secret writers’ society, Le club des fugitifs, that guarantees to publish the work of its members anonymously, thus relieving them of the burdens of life, and more importantly, the disappointments of authorship. In Paris, Gracq finds himself crossing paths with a parade of phantasms, illustrious writers from the previous century – masters of identity, connoisseurs of eroticism, theorists of game and rule, émigrés and Oulipeans. He flees from the deathly allure of the Fugitives, and towards the arms of his beloved – but it may be too late.

'Written in thirty-four cantos, Blindness & Rage recalls Virgil and Dante in its descent into the underworld of writing, and Pushkin’s Eugene Onegin with its mixture of wonder and melancholy. The short lines bring out the rhythmic qualities of Castro’s prose, enhance his playfulness and love of puns, his use of allusion and metaphor. Always an innovator, in Blindness & Rage he again throws down a challenge to the limits of the novel form.' (Publication summary)