'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'
Source: Screen Australia.
Based on real life events that occurred in 1931, Rabbit-Proof Fence is the story of three mixed-race Aboriginal children who are forcibly abducted from their mothers by the Western Australian government. Molly (aged fourteen), her sister Daisy (aged eight), and their cousin Gracie (aged ten) are taken from their homes at Jigalong, situated in the Pilbara region of Western Australia, at the orders of the Protector of Aborigines, A.O. Neville, and sent to an institution at Moore River to be educated and trained as domestic servants. After a few days, Molly leads the other two girls in an escape. What ensues is an epic journey that tests the girls' will to survive and their hope of finding the rabbit-proof fence to guide them home.
Although they are pursued by the institution's Aboriginal tracker and the police, Molly knows enough about bush craft to help them hide their tracks. They head east in search of the world's longest fence - built to keep rabbits out - because Molly knows that this will lead them back to Jigalong. Over the course of nine weeks, the girls walk almost 2,400 kilometres before Gracie is captured attempting to catch a train. Molly and Daisy avoid capture but eventually collapse from exhaustion on the saltpans not far from Jigalong. When they wake, they see the spirit bird, an eagle, flying overhead. Its significance gives the girls the extra energy they need and they are able to make it back to their home.
'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."
'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)
One-woman play, written by and for Leah Purcell, which draws on her experiences growing up, her relationship with her mother, and the contrast between her country upbringing and city life.
'In the dying town of Drylands, Janet Deakin sells papers to lonely locals. At night, in her flat above the newsagency, she attempts to write a novel for a world in which no one reads—‘full of people, she envisaged, glaring at a screen that glared glassily back.’ Drylands is the story of the townsfolk’s harsh, violent lives. Trenchant and brilliant, Thea Astley’s final novel is a dark portrait of outback Australia in decline.'
Source: Publisher's blurb (Text ed.)
'At once humorous and dramatic, Three Dollars is about Eddie, an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars. How did he get that way? And who is Amanda? He cared about people; he was, Amanda notwithstanding, a good husband, father and son. At any other time the world would have smiled on him. But this was the nineties and the world valued other things. Three Dollars chronicles the present breach of the social contract and its effect on a home near you. It is a brilliantly deft portrait of a man attempting to retain his humanity, his family and his sense of humour in grim and pitiless times: times of downsizing, outsourcing and privatising. It is about the legacy of Thatcherism and its effects on people and their relationships.' (Synopsis)
Jules Van Erp has presence. After a devastating road accident, he can still effortlessly create such architectural masterpieces as the Pavilion of Flight, but he cannot face the emotional legacy of his own history. Only when Jules concedes the possibility of love and imperfection is he able to begin rebuilding his extraordinary life.