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Screen cap from promotional trailer
form y separately published work icon Rabbit-Proof Fence single work   film/TV  
Adaptation of Follow the Rabbit-Proof Fence Doris Pilkington Garimara , 1996 single work biography
Issue Details: First known date: 2002... 2002 Rabbit-Proof Fence
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AbstractHistoryArchive Description

Based on real life events that occurred in 1931, Rabbit-Proof Fence is the story of three mixed-race Aboriginal children who are forcibly abducted from their mothers by the Western Australian government. Molly (aged fourteen), her sister Daisy (aged eight), and their cousin Gracie (aged ten) are taken from their homes at Jigalong, situated in the Pilbara region of Western Australia, at the orders of the Protector of Aborigines, A.O. Neville, and sent to an institution at Moore River to be educated and trained as domestic servants. After a few days, Molly leads the other two girls in an escape. What ensues is an epic journey that tests the girls' will to survive and their hope of finding the rabbit-proof fence to guide them home.

Although they are pursued by the institution's Aboriginal tracker and the police, Molly knows enough about bush craft to help them hide their tracks. They head east in search of the world's longest fence - built to keep rabbits out - because Molly knows that this will lead them back to Jigalong. Over the course of nine weeks, the girls walk almost 2,400 kilometres before Gracie is captured attempting to catch a train. Molly and Daisy avoid capture but eventually collapse from exhaustion on the saltpans not far from Jigalong. When they wake, they see the spirit bird, an eagle, flying overhead. Its significance gives the girls the extra energy they need and they are able to make it back to their home.

Exhibitions

7013396
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7922012
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Notes

  • The trailer for this film is available to view via YouTube: http://www.youtube.com/watch?v=rB-jkydqADg (Sighted: 14/9/2012)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Form: screenplay
    • Strawberry Hills, Inner Sydney, Sydney, New South Wales,: Currency Press , 2002 .
      Alternative title: Rabbit-Proof Fence : The Screenplay
      Extent: ix, 87p., [8]p. of platesp.
      Description: illus., ports
      Note/s:
      • 171 scenes
      ISBN: 086819655X

Works about this Work

A Heartfelt but Limited Work Richard Philips , single work review
— Review of Rabbit-Proof Fence Christine Olsen , 2002 single work film/TV
Daisy Kadibil, 95, Whose Australia Trek Inspired a Film, Dies Jacqueline Williams , 2018 single work column
— Appears in: The New York Times , 27 June 2018;

'Sydney, Australia — Daisy Kadibil, an Aboriginal Australian, was about 8 years old and living in the vast, sparsely populated Outback in the early 1930s when her country’s government forcibly separated her from her parents and sent her to a resettlement camp hundreds of miles away.'  (Introduction)

Phillip Noyce : Man of Action Philip Berk , Erin Free , 2017 single work column
— Appears in: FilmInk , 28 November 2017;
Collaborations and Renegotiations : Re-examining the ‘Sacred’ in the Film-Making of David Gulpilil and Rolf de Heer Alison Jasper , 2017 single work criticism
— Appears in: Literature and Theology , June vol. 31 no. 2 2017; (p. 187–199)

'This article discusses the term ‘sacred’ in relation to the work of nineteenth-century sociologist Émile Durkheim, for whom the word denoted the objects, practices and assumptions that sustained communal solidarity and fostered dynamic energies, whether or not they were conventionally described as ‘religious’. I then turn to the work of more recent scholars of ‘critical religion’ suggesting that the terms ‘religion’ and ‘the sacred’ derive from a predominantly western, patriarchal and colonial context, forming part of a complex network of interconnected categories that represent a distinctive and dominant discourse of power constructing a privileged identity through hostile Othering or exclusions. Arguably, in the Australian mainstream, a discourse of ‘religion’ imported largely by Christian settlers from the west over the last two hundred years has been employed to exclude Aboriginal ways of understanding the world, for example by promoting the category of ‘land’ as an exploitable, God-given human possession. Nevertheless, drawing on the work of Julia Kristeva, I understand that an encounter with the Other—whether the Aboriginal or the balanda—can be viewed differently: as a zone of properly disturbing but also creative possibility. It remains very important, however, to acknowledge the power imbalances that are still embedded within such encounters, and the consequent risks to indigenous Australians, of further dislocation and dispossession. This idea is explored through a consideration of the collaborative film-making of David Gulpilil and Rolf de Heer and, in particular, of two films: Ten Canoes (2006) and Charlie’s Country (2013).'  (Publication abstract)

Reading Follow the Rabbit-Proof Fence : Aboriginal Child Removal in 2017 Hannah McGlade , 2017 single work criticism
— Appears in: Westerly , vol. 62 no. 1 2017; (p. 185-195)

'Follow the Rabbit-Proof Fence (1996) is the story of three young Aboriginal girls, sisters Molly and Daisy and their cousin Gracie, taken from their parents by government authorities in 1931, to live far from their home at the harsh Moore River Native Settlement. Written originally by Doris Pilkington Garimara, it was adapted as a film under the title Rabbit-Proof Fence, directed by Philip Noyce (2002). The children were part of what is now known as the stolen generations and their story remains profoundly relevant to the lives of a great many Aboriginal children and their families. While there has been significant critical response to the text both itself and in the context of its adaptation, specifically in the realm of Australian Cultural Studies, it is pertinent and necessary to consider also the social context of the story. This is coming from the perspective of Aboriginal human rights and social justice.' (Introduction)

Untitled Alison Lawrence , 2003 single work review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 17 no. 1 2003; (p. 31-32)

— Review of Rabbit-Proof Fence Christine Olsen , 2002 single work film/TV
Untitled Tony Hughes-d'Aeth , 2003 single work review
— Appears in: JAS Review of Books , June no. 16 2003;

— Review of Rabbit-Proof Fence Christine Olsen , 2002 single work film/TV
Untitled Jonathan Dawson , 2003 single work review
— Appears in: Australasian Drama Studies , October no. 43 2003; (p. 179-183)

— Review of Dirty Deeds David Caesar , 2002 single work film/TV ; Rabbit-Proof Fence Christine Olsen , 2002 single work film/TV
A Heartfelt but Limited Work Richard Philips , single work review
— Review of Rabbit-Proof Fence Christine Olsen , 2002 single work film/TV
CoverNotes Mike Shuttleworth , 2002 single work review
— Appears in: The Sunday Age , 20 January 2002; (p. 11)

— Review of Eyes in the Dark Kim Dale , 2001 single work picture book ; Rabbit-Proof Fence Christine Olsen , 2002 single work film/TV
Out Takes Lynden Barber , 2002 single work column
— Appears in: The Australian , 15 November 2002; (p. 20)
'This Is a True Story' : Rabbit-Proof Fence, 'Mr Devil' and the Desire to Forget Tony Birch , 2002 single work criticism
— Appears in: Cultural Studies Review , May vol. 8 no. 1 2002; (p. 117-129)
Discusses the reception and historical background of the film.
Back Tracking Brian McFarlane , 2003 single work criticism
— Appears in: Meanjin , vol. 62 no. 1 2003; (p. 59-68)
Examines some issues raised by the making of Australian films about Aboriginal people in historical settings by white filmmakers.
'Echoes Across the Flats' : Storytelling and Phillip Noyce's Rabbit Proof Fence (2002) Monique Rooney , 2002 single work essay
— Appears in: Southerly , vol. 62 no. 3 2002; (p. 107-117)
The Battle Against Forgetting Sharon Verghis , 2002 single work criticism
— Appears in: The Sydney Morning Herald , 11 April 2002; (p. 14)

Awards

2002 winner Film Critics Circle of Australia Best Screenplay - Adapted Best Screenplay - Adapated
2002 Nominated Australian Film Institute Awards Best Screenplay Adapted from Another Source
2001 winner New South Wales Premier's Literary Awards Script Writing Award
2001 winner Queensland Premier's Literary Awards Best Film or Television Script
Last amended 25 Jan 2018 09:53:57
Subjects:
  • Moore River, Guilderton - Gingin area, Southwest Western Australia, Western Australia,
  • Moore River Native Settlement (1918-1951), Western Australia,
Settings:
  • 1930s
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