AustLit logo

AustLit

form y separately published work icon A Touch of Art single work   film/TV   crime  
Issue Details: First known date: 1974... 1974 A Touch of Art
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'CHARLIE HILL: 35. Good looking with an air of failure about him. Emotionally disturbed. Taken some hard knocks. Must drive.

'SUSAN HILL: 30. Pretty, but very tired. She's borne a lot of responsibility over the years. Strong personality. Basically middle class. Suburban.

'JOHNNY HILL: 7. Very shy and of fragile constitution. Loves both his parents.

'EDDIE ROSOLINO: 45. Ex-con. Reformed, now successful artist. Rough hewn, but easy going nature.

'GERALD MOORE: 55. English and a bit superior. Elegant dresser. Art critic who wields an acidic pen. Snob. Surrounds himself with good taste.

'WALTER MACDIVOTT: 55-60. Former fence, now reformed and respectable Large man, possibly with bushy beard. Modified Bohemian.

'LUCY MACDIVOTT: 35-40. Nice looking. No lines.'

'GLADYS TOOMEY: 30-35. Very hip. Cultivates arty people. Very anti-establishment, but tolerant as well.

'JACK NEELEY: 65. Pensioner. Bar fly.

'TOM SULLEY: 65-70. Metho drinker. Comic role.

'DOUG STEPHENS: 50. Ex-service man. Burly, self made. Fancies a hero image. A suuccessful business man. A modern expensive home.

'POLICEMEN (2): Both uniformed. No lines.

'HIPPIE: Extra. 20. Male. Long hair. No lines.

'TAXI DRIVER: Friendly talkative.

'MAN: No lines. Must drive.

'WOMAN: No lines.

'DOG:

'2 MEN IN A PUB'.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Note: The Crawford Productions tribute website (crawfordproductions.tv) suggests that Lee was credited as director and Jacob as studio director.
      1974 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 52p.
      (Manuscript) assertion
      Note/s:
      • The script is labelled 'Episode UU2' on the cover page. A notation in the top right-hand corner of the cover page indicates that this script was designated for Don Battye. A notation under that (in a different hand and different ink) reads, 'PRE-PRODUCTION'.
      • The script is annotated in blue felt pen. The annotations are alterations to dialogue (note, for example, page 16, where 'G’day' has been altered to 'G’morning') and to stage directions. The degree of annotation is fairly minimal.
      • The script also shows a single annotation in black ink: page 19, where a live scene has been changed to a film scene. This is the only alteration in black ink, and it is partially over-written in blue felt pen.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC DIV : 249
Last amended 8 May 2013 13:45:39
Newspapers:
    Powered by Trove
    X