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Issue Details: First known date: 2011... 2011 (Re)Writing the End of the World : Apocalypse, Race, and Indigenous Literature
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'This chapter addresses apocalyptic writing in the context of race, and specifically authors who rewrite Australian history as apocalypse to represent the impact of white colonization on Indigenous peoples. The disaster scenarios of apocalypse can allow minority groups to invent a new world in which to challenge and change dominant cultural constructions for widely differing agendas. The apocalyptic paradigm of revelation and disaster can work effectively to interrogate the history of colonization and relations between white and Indigenous Australians.' (136)

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    y separately published work icon Apocalypse in Australian Fiction and Film : A Critical Study Roslyn Weaver , Jefferson : McFarland and Company , 2011 Z1820733 2011 single work criticism 'Australia has been a frequent choice of location for narratives about the end of the world in science fiction and speculative works, ranging from pre-colonial apocalyptic maps to key literary works from the last fifty years. This critical work explores the role of Australia in both apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse is used to undermine complacency, foretell environmental disasters, critique colonization, and to serve as a means of protest for minority groups. Australian apocalypse imagines Australia at the ends of the world, geographically and psychologically, but also proposes spaces of hope for the future.' (From the publisher's website.) Jefferson : McFarland and Company , 2011 pg. 135-158
Last amended 14 Jun 2012 12:44:19
135-158 (Re)Writing the End of the World : Apocalypse, Race, and Indigenous Literaturesmall AustLit logo
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