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Christina Houen Christina Houen i(A79805 works by)
Gender: Female
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Works By

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1 y separately published work icon A Gradual Grace Christina Houen , Port Adelaide : Ginninderra Press , 2023 26337318 2023 single work autobiography

'A Gradual Grace is Christinas third memoir. In the first, This Place You Know, she tells the story of her childhood on an outback sheep station, told in her mothers voice and her own voice and published by Ginninderra Press in 2019. The second, A Practice of Loss, tells the story of the breakdown of her marriage and the abduction of her three young daughters by their father. A Gradual Grace completes the trilogy.' (Publication summary)

1 y separately published work icon Practice of Loss Christina Houen , Port Adelaide : Ginninderra Press , 2021 23561434 2021 single work autobiography

'At twenty, Anna married an ambitious computer scientist. Now, twelve years later, they have three young daughters. Yet something vital is missing. He is more away than at home, and she dreams of an equal love. But she dreads the price of breaking free. Within a year, the marriage shatters and her children are abducted overseas. In the vengeful shadow of their father's blame, how can she nurture and protect those who were the crown and comfort of her life? The true-life story of a desperate choice and its heart-breaking yet redemptive consequences for Anna and her daughters. '(Publication summary)

1 [Review] Traumata Christina Houen , 2021 single work review
— Appears in: Life Writing , vol. 18 no. 2 2021; (p. 289-290)

— Review of Traumata Meera Anne Atkinson , 2018 single work autobiography

'Traumata, by Meera Atkinson, is an informed and passionate critique of patriarchy in a braided narrative, where the author’s life story is the weft woven through the warp (the formative structure) of patriarchal society. Atkinson’s weaving of her life story with theory that interprets patriarchy and its forms and deformities is powerful, for every experience and incident she relates is material for illuminating the traumatising influence of patriarchy; hence the plural title. Her self-exposure is searching, nakedly honest and compelling, but it is always in service of her intent, which is to create a three-dimensional picture of the society we are born into, deeply and generationally wounded by the institutionalised, polyphonic, medusa-headed curse of patriarchy. Atkinson has achieved this searching picture of the wounded culture into which we are born with great skill and a remarkable command of the many discourses that inform this deconstruction of ‘traumarchy,’ her word for the traumata caused by patriarchy.' (Introduction)

1 [Review] No Friend but the Mountains: Writing from Manus Prison B Christina Houen , 2020 single work review
— Appears in: Life Writing , vol. 17 no. 1 2020; (p. 149-152)

— Review of No Friend but the Mountains : Writing From Manus Prison Behrouz Boochani , Omid Tofighian (translator), 2018 selected work prose
'Behrouz Boochani’s memoir of his arrival at Christmas Island as an asylum seeker, and his subsequent indefinite incarceration on Manus Island, is a miracle of survival and of testimony. To tell the unthinkable in impossible circumstances is an extraordinary act of courage and truth-telling. It is a searing, confronting, powerful testimony of indefinite detention and systematic torture. More than that, it is a work of resistance in the genre of decolonial literature,1 a significant piece of prison literature, and a scorching critique of refugee policies here in Australia, and by extension, globally.' (Introduction)
1 2 y separately published work icon This Place You Know Christina Houen , Port Adelaide : Ginninderra Press , 2019 16710538 2019 single work biography

'Hay, New South Wales, 1923. Martha, a classics scholar from the coast, comes to teach in a man's town in the outback. She falls in love with Henry, a local man, and they find their dream place on the river where they raise a family and breed a flock of sheep with fine wool. The unforgiving climate erodes their dreams. When Henry leaves, Martha takes on the outside work and learns to drive. Seven-year-old Anna is her main helper and confidante. Sustained by their shared love of this stark and beautiful country with its endless skies, red plains and silvery saltbush, mother and daughter strive - against all odds - to look after livestock and land and keep the farm going. But when Anna is away at boarding school, the place is lost forever.'   (Publication summary)

1 y separately published work icon Life Writing vol. 11 no. 1 Stephen Mansfield (editor), Christina Houen (editor), 2014 6970109 2014 periodical issue
1 Non Fiction Christina Houen , 2012 single work review
— Appears in: The Courier-Mail , 22 - 23 September 2012; (p. 23)

— Review of The Price of Valour John Hamilton , 2012 single work biography
1 Non Fiction Christina Houen , 2012 single work review
— Appears in: The Courier-Mail , 7 - 8 July 2012; (p. 23)

— Review of My Life in a Pea Soup Lisa Nops , 2012 single work autobiography
1 The Secret of Incest? Out of the 'Mise en Abîme' of Family Stories Christina Houen , 2012 single work criticism
— Appears in: Life Writing , June vol. 9 no. 2 2012; (p. 203-217)
'In this paper I use my life experience as a case study to expose and explore a family secret and interpret its ethical implications and effects on parental and filial relationships. Michel Foucault argues that the stain of incest is part of the fabric of the bourgeois family. In the majority of stories of incest, there has been a process of covering up, of secrets and lies concealing the stain. Gilles Deleuze and Felix Guattari propose that the only acceptable, ethical subjectivity is a continuous process of self-enrichment in relation to the world, a production that embraces ruptures of meaning in the fabric of dysfunctional and hegemonic forms of subjectification. I interpret the family story through a Deleuzian ethic of productive desire that exposes and exorcises the hidden stain of incest as an absent cause driving the failure of my parents’ marriage and of my family life. Secrets that cannot be told drive stories and are perpetuated and distorted with each retelling of the story. In my telling of the family story, I disclose the ambiguity of meaning and free myself from the secret, performing what Deleuze and Guattari call a schizoanalysis. By rupturing the ‘sense’ of a dysfunctional pattern of relationship, such a therapeutic analysis allows new ways of relating to self and others and new rhythms of existence to emerge. Out of loss and non-sense come survival and the revival of an exhausted terrain. My ethics of life writing is the desire to tell one's story and to understand something of the other stories within which it is enfolded and contained, so that it can be—so that I can be—set free to choose new stories; always knowing that they are just stories.' Christina Houen.
1 Fiction Christina Houen , 2012 single work review
— Appears in: The Courier-Mail , 14 - 15 April 2012; (p. 22)

— Review of The Boy Who Fell to Earth Kathy Lette , 2012 single work novel
1 Non Fiction Christina Houen , 2012 single work review
— Appears in: The Courier-Mail , 17 - 18 March 2012; (p. 23)

— Review of Reaching One Thousand : A Story of Love, Motherhood and Autism Rachel Robertson , 2012 single work autobiography
1 [Review] The Chemistry of Tears Christina Houen , 2012 single work review
— Appears in: The Courier-Mail , 31 December - 1 January 2012; (p. 22)

— Review of The Chemistry of Tears Peter Carey , 2012 single work novel
1 Untitled Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 8 - 9 October 2011; (p. 23)

— Review of A Tragedy in Two Acts : Marcus Einfeld and Teresa Brennan Fiona Harari , 2011 single work biography
1 Fiction Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 19 - 20 November 2011; (p. 22)

— Review of Foal's Bread Gillian Mears , 2011 single work novel
1 Non-Fiction Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 15 - 16 October 2011; (p. 23)

— Review of Bite Your Tongue Francesca Rendle-Short , 2008 single work novel
1 Untitled Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 8 - 9 October 2011; (p. 23)

— Review of A Tragedy in Two Acts : Marcus Einfeld and Teresa Brennan Fiona Harari , 2011 single work biography
1 Fiction Reviews Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 13 - 14 August 2011; (p. 24)

— Review of The Chase Christopher Kremmer , 2011 single work novel
1 Fiction Reviews Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 11 - 12 June 2011; (p. 24)

— Review of The Amateur Science of Love : A Novel Craig Sherborne , 2011 single work novel
1 Fiction : Reviews Christina Houen , 2011 single work review
— Appears in: The Courier-Mail , 2 - 3 April 2011; (p. 24)

— Review of Last Chance Cafe Liz Byrski , 2011 single work novel
1 Biography Christina Houen , 2011 single work review
— Appears in: The West Australian , 29 January 2011; (p. 21)

— Review of Hell's Only Half Full Kerry Clarke , 2010 single work biography
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