Wood grew up in the town of Cooma, NSW, in a large family. After completing a cadetship on the local newspaper, she went to Charles Sturt University in Bathurst, NSW, where she studied journalism and began writing fiction in her mid-twenties under the tutelage of Joan Phillip. She has worked as a freelance journalist and sub-editor, and her first novel was published in 1999, when she was 34. She notes Kate Llewellyn, Kate Grenville and Patrick White as early influences, and before her first novel was published, she briefly attended writing classes with Sue Woolfe. She enjoys cooking and writes about food and related subjects on her blog, How to Shuck an Oyster. She is based in Sydney, and has been in residence at Varuna Writers' Retreat and Bundanon on several occasions. She has a Masters degree in Creative Arts from the University of Technology, Sydney and in 2013 is engaged in a PhD, part of which is exploring the psychology of literary creativity. She launched the bi-monthly journal, The Writer's Room Interviews, in February 2013.
'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'
'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.
'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.
'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)
Animal People2011single work novel '"He could not find one single more word to say. I just want to be free. He could not say those words. They had already withered in his mind, turned to dust. He did not even know, he marvelled now, what the hell those words had meant."
'Acclaimed novelist Charlotte Wood takes a character from her bestselling book The Children and turns her unflinching gaze on him and his world in her extraordinary novel, Animal People. Set in Sydney over a single day, Animal People traces a watershed day in the life of Stephen, aimless, unhappy, unfulfilled - and without a clue as to how to make his life better.
'His dead-end job, his demanding family, his oppressive feelings for Fiona and the pitiless city itself ... the great weight of it all threatens to come crashing down on him. The day will bring untold surprises and disasters, but will also show him - perhaps too late - that only love can set him free.
'Sharply observed, hilarious, tender and heartbreaking, Animal People is a portrait of urban life, a meditation on the conflicted nature of human-animal relationships, and a masterpiece of storytelling. Filled with shocks of recognition and revelation, it shows a writer of great depth and compassion at work. (From the publisher's website.)
'When their father is critically injured, foreign correspondent Mandy and her siblings return home, bringing with them the remnants and patterns of childhood. Mandy has lived away from the country for many years. Her head is filled with images of terror and war, and her homecoming to the quiet country town - not to mention her family and marriage - only heightens her disconnection from ordinary life. Cathy, her younger sister, has stayed in regular contact with her parents, trying also to keep tabs on their brother Stephen who, for reasons nobody understands, has held himself apart from the family for years.
'In the intensive care unit the children sit, trapped between their bewildered mother and one another; between old wounds and forgiveness, struggling to connect with their emotions, their past and each other. But as they wait and watch over their father, there's someone else watching too: a young wardsman, Tony, who's been waiting for Mandy to come home. As he insinuates himself into the family, the pressure, and the threat, intensify and build to a climax of devastating force.' (Publisher's blurb)