AustLit

'Ioan Gruffudd stars as brilliant forensic pathologist Dr Daniel Harrow in this major new 10-part Australian crime drama. He investigates the apparent suicide of a young woman whose grieving father suspects she was murdered.' (Production summary)

'The Time of Our Lives follows the lives of the Tivolli clan, a typical extended Australian family, set in a moody inner city Melbourne.

'In their thirties and forties, contemporary life is filled with kids, career advancement, home ownership and the variations of love: settling in with the one you love; still trying to find the one you love; getting away from the one you used to love.' (Source: ABC TV website)

'Phryne, gorgeous in her sparkling evening gown, had thought she would dance the night away at the hottest dancehall in town, the Green Mill. That was before death spoiled the evening.

'In jazz-mad 1920s Melbourne, Phryne finds there are hidden perils lurking in the smoky shadows — like a mystery man from her past — and it takes all her ingenuity, and her rusty flying skills, to unravel the trail of blackmail and murder.'

Source: Australian Television Information Archive. (Sighted: 24/5/2013).

'The glamorous Phryne Fisher, accompanied by her maid Dot, decides to travel to the country by train to collect her new Hispano-Suiza motor car.

'The charm of rail travel soon evaporates though, when Phryne unexpectedly has to use her trusty pearl-handled pistol to save a young woman's life and solve the disappearance of her fellow passenger's mother.

'When her train trip is derailed by a gruesome murder, Phryne speeds home in her Hispano-Suiza to her new abode in St Kilda where she works through the clues until she discovers her unassuming murderer.'

Source: Australian Television Information Archive. (Sighted: 24/5/2013)

'Based on the novels of Australian author Kerry Greenwood. Our lady sleuth sashays through the back lanes and jazz clubs of late 1920s Melbourne, fighting injustice with her pearl handled pistol and her dagger-sharp wit. Leaving a trail of admirers in her wake, our thoroughly modern heroine makes sure she enjoys every moment of her lucky life.'

Source: Inside Film and Television website

'On any single day, Cleaver Greene is described as many things. Whilst his ex-wife may call him 'unreliable", his son will call him "a mate". To his learned friends at the bar table he is "a real wag", to his jurors he is "hilarious", and to most judges he is "an outrage". To the Tax Office, he is "a defendant", to a certain brothel owner "a legend", and to his former cocaine dealer "a tragic loss".

'The clients he loves the most - the cases that thrill him - are those that appear to be utterly hopeless. There's something about being on the wrong side of conventional wisdom that feels right to him, be it at the bar table or the dinner table.

'He will do whatever it takes to defend and save life's truly lost souls. The big sinners. Its drug lords. Its cannibals. Its bestialites. And at the same time, he will struggle to save himself, to stop himself falling back into the abyss that has characterised most of his self-destructive adult life thus far.

'Despite his own hopelessness, his wit and charm have won him hordes of companions over the years. Most nights of the week, there is no shortage of invitations: dinner with a judge at the RMC (His Honour pays), or with some drug dealers in Chinatown (Manos pays), or with some of his copper mates at the Matador (no one pays).

'Any gaps in his diary will inevitably be filled by either all night sessions in chambers preparing for court or similarly lengthy sessions at his favourite brothel, simply referred to by those in the know as "the Club" (here, Cleaver is more than happy to open his own wallet). He tends to wake up bruised. Physically. Emotionally. Spiritually. Usually it's a combination thereof. He spends a nano-second wondering how his life came to this - living in a studio above a café in the Cross, without his wife and son, in love with a prostitute, defending hopeless cases. Then he gets up, puts on his dressing gown and a pair of brogues and goes downstairs for a coffee. Then it's out into the world - onto the battleground that is Cleaver Greene's day.'

Source: ABC Television website, http://www.abc.net.au/tv/
Sighted: 1 November 2010.

'Born out of the telemovie of the same name, Offspring is a contemporary drama series about Nina Proudman, a thirtysomething obstetrician and her fabulously messy family. Following the Proudman family's adventures searching for love, fulfillment and balance in the chaos of modern life, Offspring is about the life forces that drive us all: love, sex, babies, food and music. Stylistically fresh and visually exciting, Offspring mixes conventional narrative drama with flashbacks, graphic animation and fantasy sequences, showcasing the vibrant world of Fitzroy, Melbourne, where Nina and the extended Proudman family go about their unpredictable daily lives.'

Source: Australian Television Information Archive.

'... a contemporary action drama series set in a critical incident police unit, providing an insider's view of police under pressure. Our heroes are a mobile squad trained to be smarter, tactically superior and technologically advantaged.'

Source: Australian Television website, www.australiantelevision.net (sighted 08/09/2009)

The first Australian drama series to be made specifically for pay television, Love My Way follows the lives of a group of thirty-somethings who explore issues of friendship, step-parenting, divorce, and relationships. It deals with the randomness of life and the need many of us have to carve out a place in the world.

Central to the series is Frankie Paige, who attempts to negotiate the web of contemporary relationships, juggle the priorities of family obligations, and be both successful at love and fulfilled professionally, while hoping that 'happiness' might occur if all the other things fall into place. She lives with Tom, a once-successful chef who now cooks at the local rehabilitation hospital. Just down the road in a much nicer house lives her ex-husband (and Tom's brother), Charlie. An emotionally stunted architect/surfer now married to Julia, he and Frankie still have a relationship through their daughter, Lou. Throughout the series, these principal characters are pulled and strained by desires and contradictions that appear to be part and parcel of modern life.

'Enter the world of Medical Defence Australia, a medico-legal organisation that exists to defend doctors and where necessary compensate patients. All cases at MDA combine elements of law and medicine so each case is managed by a doctor and a lawyer who agree on how to proceed. It's a unique organisation that delves into morally complex and emotion filled relationships between doctors and patients.'

Source: Australian Television Information Archive (http://www.australiantelevision.net/mda/mda.html). (Sighted: 22/2/2013)

'About a group of 20-somethings living in the urban environs of St Kilda. They have yet to make it, but know it's just a matter of time.'

Source: Screen Australia. (Sighted: 28/11/2013)

'Every day is an adventure for the pilots at Big Sky Aviation. A high spirited bunch to start with, they can't help but relish the kind of job that sees them one day flying to a medical emergency on a remote property deep in the outback, the next on a tricky city mission and another soaring over some of the most beautiful tropical coastline in the world. BIG SKY is an action adventure series with heart, humour and nerves of steel.'

Source: Screen Australia. (Sighted: 9/4/2014)

An anthology-style television program, like its British predecessor Tales of the Unexpected, Twisted Tales featured a weekly story of horror or the unexpected, each with a surprise ending. The program made use of a combination of emerging and experienced writers and directors. Each episode was introduced by Bryan Brown.

Twisted Tales was followed by Two Twisted.