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The Inter-Indigenous Encounter single work   criticism  
Issue Details: First known date: 2022... 2022 The Inter-Indigenous Encounter
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AbstractHistoryArchive Description

'There exists an extensive amount of research in the fields of anthropology, literary studies, and philosophy driven by settler-oriented comparisons between Indigenous nations that verified the representation of Indigenous peoples as Other. Meanwhile, the amount of scholarly works on comparative Indigenous literary encounters in the last decade is worthy of note as indicative of the emergence of a planetary decolonial consciousness. To present an argument as to the need to think of the planetary agency of Indigenous writers, I will closely examine the variety of poetic strategies utilized by Yankunytjatjara poet Ali Cobby Eckermann of South Australia, and Yoogum and Kudjela poet Lionel Fogarty of Southern Queensland, in their writing towards other Indigenous peoples from Gaelic Ireland, and the Pacific. This serves two crucial interventions, puncturing through the deficit discourse that essentializes the poethical contribution of Aboriginal writers, and developing comparative strategies for future Indigenous-to-Indigenous encounters.' (Publication abstract)

Notes

  • Epigraph: 

    Let us sing a song for the Nungas

    a song for the Gaeliges brave

    at Knowth I stand in reverence

    my art carved by your hand

    Ali Cobby Eckermann (2013: n.p.), “At Knowth”

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 2 Jun 2022 11:11:48
354–370 The Inter-Indigenous Encountersmall AustLit logo Journal of Commonwealth Literature
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