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person or book cover
Script cover page (from the Crawford Collection at the AFI Research Collection)
form y separately published work icon What Are Little Girls Made Of? single work   film/TV   crime  
Issue Details: First known date: 1976... 1976 What Are Little Girls Made Of?
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AbstractHistoryArchive Description

'Monica tangles with an eleven-year-old shoplifter called Cricket, and in so doing ends up as a witness to a car theft. Bluey warns Monica to stay away from the girl as it may hamper his investigations into a car stealing racket. It's Monica's turn to do a "Bluey" by going off on her own as, to her, the girl's future is just as important as stolen cars.

'Monica seeks Gary's aid in finding out Cricket's whereabouts through her father's record, which Bluey has secreted out of Monica's reach. They both visit Cricket's parents, much to the anger of Bluey, who is afraid the father will go into hiding at the sight of police on his doorstep.

'Bluey's fears are well founded as the father intends to do one more job before taking his daughter away from trouble and an uncaring mother.

'Truscott is furious when Bluey and Gary let the father slip through their fingers on his last job and is equally angry for Monica turning up on the suspect's doorstep.

'Cricket's home life erupts around her when Monica's threats to her parents of her being put in a home reach her eyes by way of an argument between her mother and father. She disappears and the father accuses Monica of causing her to run away. Monica sets about tracing the girl. But, by then, Cricket's own life is in danger and it is a question of whether Monica can find the girl in time.'

Source: Synopsis held in the Crawford Collection in the AFI Research Collection (RMIT).


The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'CRICKET: An 11 year old girl. She's the product of a rough environment and has learned to fend for herself to a large degree. Through practice she's learned to stifle her emotions and is pretty tough. The fact remains that she's vulnerable due to her tender years. The one person she really loves and who loves her is her father, Fred. She clings to him and can't take it when she mistakenly thinks he, too, has rejected her. Despite her toughness, she has a likeable personality.

'FRED BARNETT: Cricket's father, about 35. Fred is a born loser. He's a car thief by trade and plays the game the way it is. He wins some and when he loses he cops it sweet and does a stretch. He's totally devoted to Cricket and immune to the ways of his prostitute wife. He's a likeable rogue who decides to put Cricket above all else but not until it's nearly too late.

'PEARL BARNETT: Around 35, once good-looking, now worn and seedy. She's lazy and completely selfish. She plies her trade of prostitution because she can't break the habit and the money's good. She must've had feelings for Fred and Cricket once but now she finds all the love she needs at the bottom of a wine flagon.

'KANGA: 40-ish. Tall and tough-looking. He runs the dirty end of the business for his employers. He's capable and has an air of authority.

'SKINNY: Quite the opposite to his name, he's short and fat. He's paid to work for Kanga and that's all he wants to know.

'BARMAN: Typical type. One scene.

'BUSINESSMAN: Average type. Middle-aged. One scene.

'CLIENT: An off-duty ocker seen with Pearl in one scene.

'UNIFORMED POLICEMEN A & B: Typical types. 'A' should be younger.

'DERELICTS #1 & #2: Again - typical of the breed, plenty of chin stubble, hand-out clothes, bloodshot eyes and shaking hands.

'CAB DRIVERS #1 & #2: Actuals.'

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1976 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 65p.
      (Manuscript) assertion
      Note/s:
      • The script is labelled 'Code 11527' and 'Episode No. 23' on the cover page, making it one of the few Bluey scripts in the Crawford Collection whose stated episode number coincides with the order in which it aired.
      • Unlike most of the other Bluey scripts in the Crawford Collection, this one is not an original, but is copied onto yellow paper. There is no indication on the cover page of to whom this copy of the script is designated.
      • There are no signs of annotations on this copy of the script.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC BLU : 23
    • Melbourne, Victoria,: Crawford Productions , 1977 .
      Extent: 46 min, 13 secs (according to the script)p.
      Series: form y separately published work icon Bluey Robert Caswell , Vince Moran , Everett de Roche , James Wulf Simmonds , Tom Hegarty , Gwenda Marsh , Colin Eggleston , David Stevens , Peter A. Kinloch , Keith Thompson , Gregory Scott , Peter Schreck , Denise Morgan , Monte Miller , Ian Jones , John Drew , David William Boutland , Jock Blair , Melbourne : Crawford Productions Seven Network , 1976 Z1815063 1976 series - publisher film/TV crime detective

      According to Moran, in his Guide to Australian Television Series, Bluey (and its Sydney-based rival, King's Men) 'constituted an attempt to revive the police genre after the cancellations of Homicide, Division 4 and Matlock Police'.

      Don Storey, in his Classic Australian Television, summarises the program as follows:

      Bluey is a maverick cop who breaks every stereotype image. He drinks, smokes and eats to excess, and therefore is rather large, but it is his unusual investigative methods that set him apart. He has bent or broken every rule in the book at some stage, to the point where no-one else wants to work with him. But he gets results, and is therefore too valuable to lose, so the powers-that-be banish him to the basement of Russell Street Police Headquarters where he is set up in his own department, a strategem that keeps him out of the way of other cops.

      Moran adds that 'Grills, Diedrich and Nicholson turned in solid performances in the series and the different episodes were generally well paced, providing engaging and satisfying entertainment.'

      The program sold well overseas, especially in the United Kingdom. But though it rated well domestically, it was not the success that the Seven Network had hoped for, and was cancelled after 39 episodes.

      Bluey had an unexpected revival in the early 1990s when selections from the video footage (over-dubbed with a new vocal track) were presented during the second series of the ABC comedy The Late Show as the fictional police procedural Bargearse. (The Late Show had given ABC gold-rush drama Rush the same treatment in series one.)

      Number in series: 23
Last amended 4 Apr 2013 09:43:34
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