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AbstractHistoryArchive Description
'Through the gardens depicted in their Blue Mountains texts of the 1980s and
1990s, Australian writers Drusilla Modjeska and Kate Llewellyn forge a feminist
aesthetic in which the binaries of nature/culture, male/female and bush/city co-exist.
These texts depict Australia as a nation that no longer looks predominantly to Britain
but is a hybrid and transcultural entity which embraces its rich migrant experience.' Source: Elizabeth Hicks,
Notes
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Epigraph: [G]ardens, like paintings, always mean something else. (Drusilla Modjeska. The Orchard: 10)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 21 Sep 2011 15:23:17
70-81
http://www.ub.edu/dpfilsa/jeasa26hicks.pdf
The Bush and the Garden in the Writing of Drusilla Modjeska and Kate Llewellyn
Journal of the European Association for Studies on Australia
Journal of the European Association for Studies on Australia
Subjects:
- Dear You 1983 single work poetry correspondence
- The Mountain 1989 selected work correspondence
- The Waterlily : A Blue Mountains Journal 1987 single work diary
- The Orchard 1995 single work prose
- Blue Mountains, Sydney, New South Wales,
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