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Contents
* Contents derived from the
Ringwood,
Ringwood - Croydon - Kilsyth area,
Melbourne - East,
Melbourne,
Victoria,:Penguin
, 1989 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Parramatta Sestina, single work prose (p. 15-16)
- Beyond the Turkey Gobblers, single work biography (p. 17-27)
- Maps, single work biography (p. 29-40)
- Living on a Corner, single work biography (p. 55-69)
- Suburban Sonneti"She practises a fugue, though it can matter", single work poetry (p. 77)
- A Tale of Three Cities, single work biography (p. 79-95)
- La Citoyenne, 1967, single work short story (p. 99-108)
- A Home Away from Home, single work biography (p. 111-117)
- Travels with Myself, single work autobiography travel (p. 119-134)
- Streets of Chippendalei"Streets named Ivy, Vine, Rose and Myrtle -", single work poetry (p. 141-142)
- Earthworm Small, single work biography (p. 143-152)
- The Sea, the Sea, single work biography (p. 155-169)
- The Koori Way : Belonging Places, single work autobiography (p. 171-179)
- Altering the Landscape, single work biography (p. 181-186)
- Palimpsest, single work biography (p. 189-198)
- A Sort of Gift : Images of Perth, single work prose biography (p. 201-207)
- In Moncur Streeti"It's twenty years ago and more", single work poetry (p. 215-217)
- Memory Crop, single work prose biography (p. 219-228)
- Sydney, single work short story autobiography (p. 231-240)
- Australiai"You big ugly. You too empty. You desert with your nothing", single work poetry (p. 241-242)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Developing a Connective Feminine Discourse : Drusilla Modjeska on Women’s Lives, Love and Art
2015
single work
criticism
— Appears in: Coolabah , no. 16 2015; (p. 101-111) 'This paper discusses the work of the Australian writer and historian Drusilla Modjeska through a focus on the intersections between women‟s lives, love and art, which constitute the central triptych of Modjeska‟s writing. It argues that Modjeska‟s oeuvre unfolds a connective feminine discourse through a development of what the paper calls hinging tropes, discursive connectors that join life, love and art, such as weaving, folding and talking. That connective feminine discourse is indeed central to Modjeska‟s personal and sometimes idiosyncratic feminism.' (Publication summary) -
Untitled
1992
single work
review
— Appears in: Australian Studies , November no. 6 1992; (p. 136-139)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography ; Moments of Desire : Sex and Sensuality by Australian Feminist Writers 1989 anthology poetry short story -
Inner Landscapes of the Mind
1991
single work
review
— Appears in: Span , February no. 31 1991; (p. 118-121)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography -
Untitled
1990
single work
review
— Appears in: Refractory Girl , May no. 35 1990; (p. 48)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography -
Rewriting Gender Scripts
1990
single work
review
— Appears in: Social Alternatives , April vol. 9 no. 1 1990; (p. 56-57)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography ; The Woman at the Window 1989 selected work short story ; Moments of Desire : Sex and Sensuality by Australian Feminist Writers 1989 anthology poetry short story ; I for Isobel 1989 single work novel ; Give Me Strength : Italian Australian Women Speak 1989 anthology essay biography autobiography ; Homecoming : Three Novellas 1989 selected work short story
-
Untitled
1990
single work
review
— Appears in: Refractory Girl , May no. 35 1990; (p. 48)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography -
Women and Writing : Four Perspectives
1990
single work
review
— Appears in: Overland , February no. 117 1990; (p. 90-92)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography ; Moments of Desire : Sex and Sensuality by Australian Feminist Writers 1989 anthology poetry short story ; Poetry and Gender : Statements and Essays in Australian Women's Poetry and Poetics 1989 anthology prose criticism autobiography ; Eight Voices of the Eighties : Stories, Journalism and Criticism by Australian Women Writers 1989 anthology criticism extract short story autobiography correspondence prose review interview -
Cities of the Mind
1989
single work
review
— Appears in: Australian Society , November 1989; (p. 50-51)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography -
A Snake and a Charmer
1989
single work
review
— Appears in: The Sydney Morning Herald , 30 September 1989; (p. 74)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography ; Moments of Desire : Sex and Sensuality by Australian Feminist Writers 1989 anthology poetry short story ; Compulsively Murdering Mao 1989 single work novel ; Angry Women : An Anthology of Australian Women's Writing 1989 anthology poetry drama short story diary correspondence autobiography essay extract ; The Art of the Story : Anthology of Short Fiction 1989 anthology short story ; Unable by Reason of Death 1989 single work novel ; Up All Night 1989 selected work short story -
Against the Grain : Women Re-Writing the City
1989
single work
review
— Appears in: Editions , December-January no. 5 1989-1990; (p. 13-14)
— Review of Inner Cities : Australian Women's Memory of Place 1989 anthology poetry short story prose biography -
Developing a Connective Feminine Discourse : Drusilla Modjeska on Women’s Lives, Love and Art
2015
single work
criticism
— Appears in: Coolabah , no. 16 2015; (p. 101-111) 'This paper discusses the work of the Australian writer and historian Drusilla Modjeska through a focus on the intersections between women‟s lives, love and art, which constitute the central triptych of Modjeska‟s writing. It argues that Modjeska‟s oeuvre unfolds a connective feminine discourse through a development of what the paper calls hinging tropes, discursive connectors that join life, love and art, such as weaving, folding and talking. That connective feminine discourse is indeed central to Modjeska‟s personal and sometimes idiosyncratic feminism.' (Publication summary)
Last amended 10 Aug 2006 14:55:43
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