AustLit

'Judith Beveridge’s much-anticipated new collection of poems, the first since her prize-winning new and selected, Sun Music, in 2018.

'The poems in Tintinnabulum focus on animals, people, and places, though you could say that the real subject matter is the power of poetry, since the book explores how metaphor, simile, imagery and sound can reveal connections that are imaginative, revelatory and sometimes threatening. Beveridge’s creative use of language is most evident in the section of the book titled ‘Bizarre Bazaar’ ― where she plays on lines and titles by Wallace Stevens (a fitting companion), and offers linguistic elaborations on familiar objects, and strange beliefs and customs. Each detail leads to others through association, there is multiplicity everywhere, and movement and energy, and this is as true of the poems which capture the particular features of animals, the transient effects of landscape, or the memories of people and places, as it is of the language-oriented poems.

'There is a range of styles, lyrical, dramatic and narrative, which build on the achievements of poems in Beveridge’s previous collections. There is also an emotional range to the poems: some poems are joyous, celebratory, ecstatic ― others humorous, elegiac, nostalgic ― but the overall feeling is of the joy and richness of language.' (Publication summary)

'Sun Music collects Beveridge’s best poems published over a thirty-year period, from 1987 to 2017. She has selected the poems from her award-winning collections, The Domesticity of Giraffes, Accidental Grace, Wolf Notes and Storm and Honey, and included 33 new poems which build on and enhance her previous work. Beveridge is an exacting poet, precise and controlled, and her formal discipline gives added intensity to her expression of emotion. The combination of clarity and dramatic force, involving a supple use of language which registers the ebb and flow of feeling, makes her poetry immediately appealing and accessible. As she notes in her introduction to this collection, ‘My writing can be kaleidoscopic, often baroque, but I hope also grounded and focused…I am drawn to poetry that has rich texture, and by this, I mean poetry that is distinctly metaphorical, detailed, musically complex, but also clear.’'

Source: Publisher's blurb.