AustLit

'Tracking the developments of Asian diaspora poetry in America, Australia, UK and Europe, To Gather Your Leaving is a groundbreaking global anthology that explores new ways of looking at nation, culture, identity, and place. Gathered here are established and new poets who are émigrés, refugees, and descendants of Asian migrants, poets who straddle two or more languages, cultures, and places, and who question and complicate the notion of home in the age of global change and transnational crossings. The poems collected here, spanning over three decades and representing three generations, eschew straightforward answers to the questions of identity and citizenship, offering profoundly rich, diverse and moving perspectives on what it means to belong on this earth.' (Publication summary) 

'Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington have gathered a broad and representative selection of the best Australian prose poems written over the last fifty years.

'The Anthology of Australian Prose Poetry includes numerous distinguished prose poets-Jordie Albiston, joanne burns, Gary Catalano, Anna Couani, Alex Skovron, Samuel Wagan Watson, Ania Walwicz and many more and documents prose poetry's growing appeal over recent decades, from the poetic margins to the mainstream.

'This collection reframes our understanding not only of this dynamic poetic form, but of Australian poetry as a whole.' (Publication summary)

'This new anthology of Australian and New Zealand poetry is remarkable for its exuberance, its vitality, and the notably youthful vibrancy of its free verse as well as its innovative prose poetry.  Including a wide range of voices from such well-known poets as John Kinsella, Pam Brown, and John Tranter to relative new-comers like Chris Tse and essa may ranapiri, The Language in my Tongue is full of surprises and special pleasures.

—Marjorie Perloff, Professor Emerita of English
 at Stanford University and Florence R. Scott Professor
 of English Emerita at the University of Southern California

'Here are vernaculars. Here are modern-day classics. Here is a “mind in an unclear world,” “a space perfection will never survive.”  Here is invention permitted to travel the world, in dense prose poems and in chatty ones, in capable free verse and ghazals, “emissaries” and “a russet lock in an envelope.” Here Echnida meets the Spider, “making things transparent,” and here [is] bodily frailty and erotic love. Here, readers, are some highlights of the Antipodes, two—no, far more than two—poetic traditions, made available for you. Investigate. Drink deep.

—Stephanie Burt, Professor of English at Harvard University'  (Publication summary)