AustLit
Issue Details:
First known date:
2008...
vol.
43
no.
1
2008
of
The Journal of Commonwealth Literature
est. 1965
The Journal of Commonwealth Literature
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Notes
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Contents indexed selectively.
Contents
* Contents derived from the 2008 version. Please note that other versions/publications may contain different contents. See the Publication Details.
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Spectrality in Indigenous Women’s Cinema: Tracey Moffatt and Beck Cole,
single work
criticism
This paper addresses two recent Aboriginal ghost stories produced by Aboriginal film-makers Tracey Moffatt (beDevil) and Beck Cole (Plains Empty), in order to examine the relationship of these films to a type of spectral rewriting of the Australian nation state. This paper examines the role of spectrality as a revisionist process that exorcizes, but also celebrates, the ghosts that underpin and/or undermine narratives of belonging and place and investigates the dynamic potential of Indigenous film, not so much as a device that eradicates colonial encounters and their postcolonial legacy, but as texts that unsettle and contest, that empower and initiate debate by way of dismantling, or at least diminishing, dominant representations of Indigenous identities.
- Bernard Hickey (1931-2007), single work obituary (p. 147-150)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 4 Sep 2008 12:33:13