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AbstractHistoryArchive Description
In her essay, Bartlett analyses 'the narrative of cleanliness,' its role in assimilationist discourse and dissemination through magazines, newspapers and documentaries, and its application and impact upon Indigenous girls lives as represented in a number of Indigenous life-writing texts.
Notes
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Epigraph: Nothing is inherently dirty; dirt expresses a relation to social value and social disorder. Dirt is that which transgresses social boundary. ...
The cult of domesticity became indispensable to the consolidation of British national identity, and at the centre of the domestic cult stood the simple bar of soap.
Anne McClintock. Imperial Leather: Race, Gender and Sexuality in the Colonial Conquest. New York; Routledge, 1995: 152-153; 209.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Negotiating Subjectivity : Indigenous Feminist Praxis and the Politics of Aboriginality in Alexis Wright’s Plains of Promise and Melissa Lucashenko’s Steam Pigs
2010
single work
criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 185-202)
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Negotiating Subjectivity : Indigenous Feminist Praxis and the Politics of Aboriginality in Alexis Wright’s Plains of Promise and Melissa Lucashenko’s Steam Pigs
2010
single work
criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 185-202)
Last amended 15 Nov 2013 14:26:37
52-67
Clean White Girls : Assimilation and Women's Work
Subjects:
- Plains of Promise 1997 single work novel
- Auntie Rita 1994 single work biography
- Wandering Girl 1987 single work autobiography
- Sort of a Place Like Home : Remembering the Moore River Native Settlement 1993 single work biography
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