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AbstractHistoryArchive Description
"Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older women folk. You don't have to be blood-related or anything. Everyone is kin. That's a beautiful thing because in this way no one is ever truly alone, they always have someone they can turn to."
Rita Huggins told her memories to her daughter Jackie, and some of their conversation is in this book. We witness their intimacy, their similarities and their differences, the '"fighting with their tongues". Two voices, two views on a shared life.' (Source: Publisher's blurb)
Notes
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Dedication: This book is dedicated to Albert and Rose, Jack, Gloria and Kenny
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Sound recording.
- Large print.
Works about this Work
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Mother and Daughter : Lived Aboriginal History
2023
single work
review
— Appears in: Australian Book Review , October no. 458 2023; (p. 31-32)
— Review of Auntie Rita 1994 single work biography'Family photographs add so much to Aboriginal autobiography. Aboriginal people will scan them to see who they know and what the buildings, clothes, and area looked like then. Photographs are an open invitation to connect with your people, no matter where they are from.' (Introduction)
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Writing the Aboriginal Women’s Auto/Biographical Experience : Jackie Huggins and Jeanine Leane
2017
single work
criticism
— Appears in: Claiming Space for Australian Women's Writing 2017; (p. 275-289)'Autobiographies by Aboriginal Women writers have gradually emerged for almost three decades now. Varied and interesting experiments are visible in the life-writing form by Aboriginal writers. In an attempt to write accounts of their own life and experiences, Aboriginal writers have employed different narrative techniques and methods. This chapter is a case study of life narratives by two contemporary Aboriginal women writers Jackie Huggins (Auntie Rita) and Jeanine Leane (Purple Threads.) The focus is on the different methods of writing while “recalling the past”. Interestingly, these narratives create “matriarchal spaces” of expression being written by women who are recalling either their mother’s experiences or Aunties’ stories. The chapter makes an attempt to relocate this idea of history from a feminist perspective.'
Source: Abstract.
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Our Truths - Aboriginal Writers and the Stolen Generations
BlackWords : Our Truths - Aboriginal Writers and the Stolen Generations
2015
single work
criticism
— Appears in: The BlackWords Essays 2015; (p. 4) The BlackWords Essays 2019;In this essay Heiss demonstrates that stories, poetry, songs, plays and memoirs are 'living' evidence of truths otherwise untold or appropriated (Source: Introduction)
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y
Entangled Subjects : Indigenous/Australian Cross-Cultures Of Talk, Text, And Modernity
Netherlands
:
Rodopi
,
2013
Z1938856
2013
single work
criticism
'Indigenous Australian cultures were long known to the world mainly from the writing of anthropologists, ethnographers, historians, missionaries, and others. Indigenous Australians themselves have worked across a range of genres to challenge and reconfigure this textual legacy, so that they are now strongly represented through their own life-narratives of identity, history, politics, and culture. Even as Indigenous-authored texts have opened up new horizons of engagement with Aboriginal knowledge and representation, however, the textual politics of some of these narratives - particularly when cross-culturally produced or edited - can remain haunted by colonially grounded assumptions about orality and literacy.
Through an examination of key moments in the theorizing of orality and literacy and key texts in cross-culturally produced Indigenous life-writing, Entangled Subjects explores how some of these works can sustain, rather than trouble, the frontier zone established by modernity in relation to 'talk' and 'text'. Yet contemporary Indigenous vernaculars offer radical new approaches to how we might move beyond the orality-literacy 'frontier', and how modernity and the a-modern are productively entangled in the process. ' (Source: Angus & Robertson website www.angusrobertson.com.au)
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Contemporary Life Writing : Inscribing Double Voice in Intergenerational Collaborative Life-writing Projects
2013
single work
criticism
— Appears in: A Companion to Australian Aboriginal Literature 2013; (p. 53-69)The author examines an narratological approach used in double-voiced narratives in which present two equally authoritative narrative voices. To exemplify aspects of the structure of 'double-voice', and its narrative complexity the author examines the life writing of Rita and Jackie Huggins biographical account Auntie Rita.
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An Auntie's Perspective
2003
single work
review
— Appears in: Dotlit : The Online Journal of Creative Writing , August vol. 4 no. 1 2003;
— Review of Auntie Rita 1994 single work biography -
A Loving Labour
1995
single work
review
— Appears in: Australian Women's Book Review , March vol. 7 no. 1 1995; (p. 13-14)
— Review of Auntie Rita 1994 single work biography -
Book Offers Unique Insight
1995
single work
review
— Appears in: Koori Mail , 25 Jaunary no. 93 1995; (p. 14)
— Review of Auntie Rita 1994 single work biography 'A Brisbane mother and daughter have teamed up to present a unique insight into the paternalistic policies of the 1920s in south-east Queensland.' (Source: Koori Mail Ed.93 1995) -
Untitled
2011
single work
review
— Appears in: Zeitschrift fur Australienstudien , no. 25 2011; (p. 157-160)
— Review of Auntie Rita 1994 single work biography -
Mother and Daughter : Lived Aboriginal History
2023
single work
review
— Appears in: Australian Book Review , October no. 458 2023; (p. 31-32)
— Review of Auntie Rita 1994 single work biography'Family photographs add so much to Aboriginal autobiography. Aboriginal people will scan them to see who they know and what the buildings, clothes, and area looked like then. Photographs are an open invitation to connect with your people, no matter where they are from.' (Introduction)
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Rethinking Emplacement, Displacement and Indigeneity : Radiance, Auntie Rita and Don't Take Your Love to Town
2002
single work
criticism
— Appears in: Journal of Australian Studies , no. 75 2002; (p. 95-103, notes 191-192) - y Cross Talk : Collaborative Indigenous Life Writing in Australia and Canada 2004 Z1351079 2004 single work thesis This thesis provides a comparative analysis of collaborative Indigenous life writing texts produced in Australia and Canada. Drawing on the large body of Indigenous life writing texts produced in both countries, the critical and theoretical literature surrounding these texts, and twenty-nine interviews conducted during the course of research with participants in Aboriginal and First Nations collaborative life writing, the author argues that literary criticism needs to take into account the co-operative basis of textual production as well as the constraining factors that shape the outcome of collaborative texts. Further, he argues for the importance of non-Indigenous critics acknowledging the centrality of Indigenous protocols in both the production and reception of collaborative Indigenous life writing. The thesis is based upon the premise that readers and producers of collaborative Indigenous life writing texts can and should talk to each other and that each group can benefit from such cross talk.
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Dialogic Selves: Discursive Strategies in Transcultural Collaborative Autobiographies by Rita and Jackie Huggins and Mark and Gail Mathabane
2005
single work
criticism
— Appears in: Biography , Spring vol. 28 no. 2 2005; (p. 276-294) 'This article addresses the project of transcultural collaborative autobiographies by Rita and Jackie Huggins and Mark and Gail Mathabane to read how the intersection of racial policies in Australia and the US, and discourses on race and racial relations, affect their personal stories. These texts make significant structural and thematic points in the context of collaborative discourse, illustrating how a particular sense of selfhood evolves and is performed in and through this multilayered dialogue.' - Author's abstract -
Troubled Canadian Gazing : Aboriginal Women's Lifestorytelling, Multicultural Nationalism, and the Australian-Canadian Comparative Model
2001
single work
criticism
— Appears in: Balayi , vol. 2 no. 1 2001; (p. 137-167) In this article, Jennifer Kelly is 'concerned in particular with how the Australian-Canadian comparative model constrains the analysis of the diverse nationalist aspirations of the multiple Aboriginal nations whose territories are overlain by Canada and Australia' (138). In her analysis, Kelly draws on numerous Aboriginal women's life writing texts from both Australia and Canada. -
Reciprocal Bonds : Re-Thinking Orality and Literacy in Critical Perspectives on Indigenous Australian Life-Writing
2005
single work
essay
— Appears in: Script and Print , vol. 29 no. 1-4 2005; (p. 115-129)
Awards
- 1996 winner Stanner Award
- 1995 shortlisted Kibble Literary Awards — Nita Kibble Literary Award