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Adaptation of Humpty Dumpty; Or, Harlequin King Arthur, His Three Sons, and the Princess Roseleaf! John Strachan , 1873 single work musical theatre
Issue Details: First known date: 1877... 1877 Humpty-Dumpty (Who Sat on a Wall) ; Or, Harlequin King Arthur, His Three Sons, the Princess Roseleaf, the Knights of the Round Table, and the Fairies of the Fairy Ferns
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AbstractHistoryArchive Description

Anonymously adapted from John Strachan's Humpty Dumpty pantomime (1873, Prince of Wales Theatre, Birmingham, England), the version published by Henry Solomon and staged by Samuel Lazar in Sydney in 1877 contains numerous references to local issues, personalities, events, and places. The opening scene, for example, indicates that the story is set in Australia, when Flambeau the Fire King says, 'He's not yet ready for cremation urns / This is Australia, not the land of Burns'. Flambeau shortly afterwards narrows the setting to the New South Wales capital when he responds to Humpty Dumpty thus: 'Aha! I'm always down upon each mortal muff; At muss and mischief, I'm quite up to snuff. In Sydney, East and West, at last Election, I put out Parkes, and beat "Jack Free-Selection"' (p.9). Other references included the Sydney scene, politics, theatre, and J. C. Williamson's production of Struck Oil.

The story concerns Flambeau, who, with his ally Humpty Dumpty, attempts to coerce Princess Roseleaf into marriage. His plans are foiled, however, by Prince Prettyboy, with the help of the Fern Fairy (who hails from Willoughby). Together, they overcome all obstacles put in his way, and he eventually defeats Flambeau and wins the love of Roseleaf.

The Sydney Morning Herald critic, although suggesting that the production was too long, nevertheless wrote:

'No one can complain of the want of fun and amusement in it ... Of course there is a mere thread of a story to hold the introductory part together, but there is an abundance of local allusions and the usual supply of excruciating puns to keep the amusement alive' (27 Dec. 1877, p.5).

The production contained songs adapted from operatic and other music, which were arranged by W. J. Rice. The songs introduced in the program libretto include 'Have You Seen the Shah?' (opening chorus); 'Where the Native Roses Blow', 'Tournez, Tournez', 'Sing Gentle Bird', and 'Pull Yourselves Together' (Fern Fairy); 'When the Stars Begin to Peep' (Queen); 'Betray Me Not' and 'Still I Love Thee' (Minister of Mines); 'Silver Threads Among the Gold' (Prince Boubee); 'Violets Dipped in Dew' (Prince Tol De Rol); 'Ridin' in a Railroad Keer' and 'What Do You Take Me For?' (Prince Prettyboy); 'Chanson Politique' (Madame Angot); 'Effie Twilight' (Will O' the Wisp); the 'Conspirator's Chorus'; and 'Legende de Mere Angot' (grand finale).

Notes

  • The harlequinade was arranged and directed by J. A. South, G. P. Carey, and E. McLean.
  • The Annotated Calendar of Plays Premiered in Australia: 1870-1890, notes that this adaptation may also have been based on, or influenced by, Carrington and Eville's Humpty Dumpty, which was produced three years earlier at Melbourne's Theatre Royal.

Production Details

  • 1877: Theatre Royal, Sydney, 23 December 1877 - 25 January 1878

    • Director/Producer Samuel Lazar; Music Arranger/Conductor W. J. Rice; Scenic Art W. J. Wilson; Costumes Madame Croucher; Chorus Signora Pasta-Moore.
    • Cast incl. George P. Carey (Humpty Dumpty); J. J. Welsh (Flamneau the Fire King); Charles Brown (King Arthur); Rose Stella (Princess Roseleaf); Emma Rogers (Will o' the Wisp); Marion Leslie; Dolly Carey (Maidenhair); Lilly Holmes (Larkspur); Maggie Oliver (Prince Prettyboy); May Vivian (Prince Toi De Roi); James A. South (Prince Borbee); H. Florence (Minister for Mines); James Hasker (Physician); A. Elliot (Twelfth Knight); Harry Leston (Queen Graimair); Mary Melville (Lady of the Chamber); Fanny McLean; Sammy McLean; Master Perman; Mr Levey; Frank Wilson; and Nelly Lake, Lilly Compton, Kitty Crucher, Kitty Clay, Fanny Lane (domestics); Harlequinade - E. McLean (Harlequin), Dolly Carey (Columbine), Flory Wilson (Harlequina), J. A. South (Clown), G. P. Carey (Pantaloon), Harry Leston (Policeman); Juvenile Harlequinade - Freddy Levy (Harlequin), Baby Merrick (Columbine), Sammy McLean (Clown), Willie Perman (Pantaloon), Frank Wilson (Policeman), Charley Perman (Monkey).
    • 30 performances

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: Samuel Lazar , 1877 .
      Printed by H. Solomon
      Extent: 105p.
      Note/s:
        • Libretto published in the production program.
        • The authorship is attributed to John Strachan, ESQ., M.D.A.S,L., author of Twinkle, Twinkle etc'.

Works about this Work

Music and the Drama 1878 single work review
— Appears in: Australian Town and Country Journal , 5 January 1878; (p. 12)

— Review of Humpty-Dumpty (Who Sat on a Wall) ; Or, Harlequin King Arthur, His Three Sons, the Princess Roseleaf, the Knights of the Round Table, and the Fairies of the Fairy Ferns 1877 single work musical theatre
Pantomime at the Theatre Royal 1877 single work review
— Appears in: The Sydney Morning Herald , 25 December 1877; (p. 4)

— Review of Humpty-Dumpty (Who Sat on a Wall) ; Or, Harlequin King Arthur, His Three Sons, the Princess Roseleaf, the Knights of the Round Table, and the Fairies of the Fairy Ferns 1877 single work musical theatre
Theatre Royal 1877 single work review
— Appears in: The Sydney Morning Herald , 27 December 1877; (p. 5)

— Review of Humpty-Dumpty (Who Sat on a Wall) ; Or, Harlequin King Arthur, His Three Sons, the Princess Roseleaf, the Knights of the Round Table, and the Fairies of the Fairy Ferns 1877 single work musical theatre

PeriodicalNewspaper Details

Note:

This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive

Details have also been derived in part from the Annotated Calendar of Plays Premiered in Australia: 1870-1890.

Last amended 9 Jan 2019 16:10:15
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