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y separately published work icon Oberon ; Or, The Knight and the Caliph's Daughter single work   musical theatre   burlesque   fantasy   humour   - Seven scenes
Alternative title: Oberon ; Or, The King of the Fairies
Adaptation of Oberon ; Or, The Elf King's Oath James Robinson Planche , 1826 single work musical theatre
Issue Details: First known date: 1865... 1865 Oberon ; Or, The Knight and the Caliph's Daughter
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AbstractHistoryArchive Description

A burlesque extravaganza produced especially for Lady Don, this production was localised and adapted by G. B. Barton from Weber and Planche's three act fairy opera, Oberon; Or, the Elf King's Oath.

The Sydney Morning Herald reports that while the premiere was not up to expectations, 'its repetition [the following night] evinced some improvement'. The critic goes on to further note, 'The burlesque follows closely the incidents of Weber's opera... [but] there are several clever passages running through the dialogue - as indeed it is impossible there should not be with the author's brilliant abilities in burlesque writing, as well as other branches of literature' (23 December 1865, p.7).

The story as played out in Weber's opera is as follows:

Act 1. The story is set in motion when Oberon and Titania argue about whether men or women are more faithful. Oberon then sends Puck to search for a couple which is faithful to each other in every way. Pucks tells Oberon about Sir Huon of Bordaeux who has been ordered to Bagdad to kill the man who sits on the left of Harun al Rashid and claim his daughter, Rezia, for a wife. Huon is shown a vision of Rezia by Oberon and given a magic horn (which can summon elves) and a magic goblet (which fills itself when it touches a person's lips).

Act 2. Rezia, who is being forced to marry Prince Babekan, is rescued by Huon and the pair escape with the help of the magic horn. Oberon takes them to the harbor of Ascalon but Puck raises spirits to wreck his ship. While Huon seeks help, Rezia sees a ship and thinking it is her rescuer's goes aboard only to find herself kidnapped by pirates and taken to be sold as a slave to the Emir of Tunis.

Act 3. Huon disguises himself as a gardener in his attempt to rescue Rezia. In the meantime the faithfulness of both is tempted by others, but rejected. When Huon is captured he and Reiza are sentenced to be burned at the stake. The horn is used to summon Oberon, who arrives with Titania in time to save them.

Production Details

  • 1865: Prince of Wales Opera House, Sydney, 19-23 December.

    • Director Mrs Charles Poole; Music Arranger Mr Eigenschenck and Mr Salamon; Stage Manager C. W. Barry.
    • Cast incl. Lady Emily Don [nee Saunders] (Oberon, a monarch retired from business), Miss Corcoran, Mrs Charles Poole, Harriet Gordon [Hyde] (Reiza, the Caliph's daughter), J. Raynor (Sir Huon of Bordeaux), W. Andrews, Mr Welsh.
    • Supporting characters included mermaids, fairies, pirates, and courtiers.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Public Amusements : Prince of Wales Theatre 1865 single work review
— Appears in: The Sydney Morning Herald , 23 December 1865; (p. 7)

— Review of Oberon ; Or, The Knight and the Caliph's Daughter G. B. Barton , 1865 single work musical theatre
Public Amusements : Prince of Wales Theatre 1865 single work review
— Appears in: The Sydney Morning Herald , 23 December 1865; (p. 7)

— Review of Oberon ; Or, The Knight and the Caliph's Daughter G. B. Barton , 1865 single work musical theatre

PeriodicalNewspaper Details

Note:

This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive

Details have also been derived in part from the Annotated Calendar of Plays Premiered in Australia: 1850-1869.

Last amended 9 Oct 2014 13:13:23
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