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y separately published work icon Plays From Black Australia anthology   drama  
Alternative title: Coordah, Murras, The Dreamers, The Keepers.
Issue Details: First known date: 1989... 1989 Plays From Black Australia
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Contents

* Contents derived from the Paddington, Kings Cross area, Inner Sydney, Sydney, New South Wales,:Currency Press , 1989 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Plays From Black Australia : Introduction, Justine Saunders , single work criticism (p. vii-xi)
The Dreamers, Jack Davis , single work drama

'With humane irony the Western Australian poet, Jack Davis gives a painful insight into the process of colonisation and the transformation of his people.'

'The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit which in him has survived 'civilisation'.' (Currency Press website)

(p. 1-77)
Note: Includes glossary.
Murras, Eva Johnson , single work drama (p. 79-107)
Note: Includes glossary.
Coordah, Richard Walley , single work drama

This play examines life in a small country town during two periods, the 1940s and the 1980s, and focuses on the search for identity in the Aboriginal community of Coordah.

(p. 109-166)
Note: Includes glossary.
The Keepers, Bob Maza , single work drama

The Keepers is set in South Australia during the 19th century. The story centres around the relationship between Mirnat, and Aboriginal Woman and Elisabeth Campbell, the wife of a Scottish missionary. The two women deepen their relationship through their attempts to learn each other's language. The play demonstrates the complexity of the Boandik* sign language which features quite prominently in the play's stage directions and production. (Balme, 1997)

"Documents the experience of Indigenous Australians - in particular, the Boandik of South-eastern South Australia - at the hands of white settlers and their descendants. Spans two generations and two different time frames and stresses the importance of the land: "The Land is alive. It moves. It breathes. We know because we are its keepers.""

*Bungandidj peoples of Mount Gambier region, South-eastern South Australia

Source: AusStage

Source: Balme, C. 1997. 'Reading the Signs: A Semiotic Perspective on Aboriginal Theatre', in Ar̲atjara: Aboriginal Culture and Literature in Australia. Rodopi. p.163.

(p. 167-229)
Note: Includes glossary.
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