y Cosi single work   musical theatre   - Three acts
Issue Details: First known date: 1992... 1992 Cosi
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber. Find out how to gain full access to AustLit

AbstractHistoryArchive Description

Play with music.

Loosely based on Nowra's own experience at producing a play (Trial by Jury) at Melbourne's Plenty Mental Home, Cosi has become a favourite with theatre companies and audiences alike since it premiered in 1992. Full of theatrical jokes and roles rich with Jonsonian humour, the play's use of a play rehearsal device also provokes images of the not-too dissimilar 'families' that come together in the professional theatre. Indeed, Nowra notes in the premiere season's programme notes that 'like the actual events of those days [the play] is, I hope, full of comedy and affection. Real madness and angst only occurred when I worked with professional actors'.

Set in 1971, Cosi takes an affectionate look at madness and mayhem in a world where institutions can be less limiting than ideology. The narrative is played out two locations, a mental institution and a suburban backyard. , Fresh from university, Lewis (a play on Louis) arrives to direct a play with the inmates, but is persuaded by Roy to stage his favourite opera, Cosi Fan Tutte. Lewis' problems don't end, however, with the fact that the other inmates are neither opera singers nor Italian-speakers. There is Ruth, troubled by the concept of a real illusion ; Zac, who insists on playing Wagner ; Doug, who is committed to the closed ward ; not to mention the sexual advances by Cherry and Julie. Lewis's world is no less complicated at home, where he has to contend with escaping pigs, exploding beer bottles and the pretensions of his politically correct friends.

The music incorporated into the narrative includes: 'Wild Thing' (by The Troggs), various songs from Cosi Fan Tutte, 'Purple Haze' (Jimmy Hendrix) 'Candy Says' (a Velvet Underground song, pre-recorded), and Wagner's 'The Ride Of The Valkyries'.

Adaptations

form y Cosi Cosi: A Comedy That's Not Quite all There Louis Nowra , Sydney : Miramax Films , 1996 Z331261 1996 single work film/TV

Loosely based on Louis Nowra's own experiences as a young theatre practitioner, Cosi follows protagonist Lewis, an unemployed actor who joins a government program to help rehabilitate mentally ill patients in a Sydney institution. Among the patients are psychopathic firebug Doug, pathologically shy Henry, lovesick Cherry, forlorn Ruth, recovering drug-addict Julie, and ever-demanding Roy. Hoping to realise his dream of staging a production of Mozart's Così Fan Tutte, Roy begins takes over the inexperienced Lewis's program, even though oblivious of the fact that none of the other patients can sing opera. As Lewis attempts to keep control of the inmates, his own life begins to spiral out of control. After being dumped by his girlfriend, Lewis finds himself drawn to Julie. He is also sacked by the hospital administrator. Having come so far with their production, however, he and the actors secretly rehearse at night. Errol, the head of nursing, tells his supervisor that the group is preparing a variety show to be performed for the health minister's forthcoming visit. On the night, they instead present their somewhat chaotic version of Cosi.

Notes

  • Other formats: Also braille, sound recording.

Production Details

  • First produced by Company B at the Belvoir Street Theatre, Sydney, beginning 21 April 1992. The director was Adam Cook. The 1994 MTC production (Russell Street Theatre), directed by Nadia Tass, was presented with reduced production values, using a single set and with the domestic scenes either cut or relocated. Original director Adam Cook also revived the production in 2003 at the Optus Playhouse (QPAC, Brisbane) for La Boite Theatre.

Contents

* Contents derived from the Sydney, New South Wales,: Currency Press , Belvoir Street Theatre , 1992 version. Please note that other versions/publications may contain different contents. See the Publication Details.
An Australian Showcase, David Stratton , 1992 single work criticism (p. 15-17)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: Currency Press ; Belvoir Street Theatre , 1994 .
      Extent: xvii, 89p.p.
      Edition info: Revised edition.
      ISBN: 0868194034
      Series: Current Theatre Series Currency Press (publisher), 1983- series - publisher 'Current Theatre Series consists of Australian plays published with the program inserted and sold during theatre seasons. The aim of the series is to promote and encourage new dramatic writing and make it accessible to theatregoers and the public. The text is presented at the first day of rehearsal and does not contain changes which the author may choose to make after the play has commenced its present season - these will be incorporated into any new edition published by Currency.' Currency Press.
    • s.l.,: s.n. , 1994 .
      Extent: 90 leavesp.
      Edition info: Revised edition.
      (Manuscript) assertion
      Note/s:
      • Typescript.

      Holdings

      Held at: University of Queensland University of Queensland Library Fryer Library
      Local Id: H2267

Works about this Work

y HSC English Standard ACT : Into English , 2014 7049894 2014 series - publisher criticism
Opera and Madness Make Fine Bedfellows Phil Brown , 2014 single work review
— Appears in: The Courier-Mail , 18 February 2014; (p. 43)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Director Sets a High Bar Fiona Gruber , 2010 single work column
— Appears in: The Australian , 24 August 2010 2010; (p. 16)
Adam Spreadbury-Maher, an artistic director from Canberra, is currently (2010), leading a revival of London's pub theatre scene.
y Louis Nowra's Così Insight Text Guides – Cosi Anica Boulanger-Mashberg , Elsternwick : Insight Publications , 2009 6897642 2009 single work criticism
Inspired Cosi Hits a High Note Peter Wilkins , 2008 single work review
— Appears in: The Canberra Times , 26 November 2008; (p. 8)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Crazy Cosi Kicks Theatre Season Off With a Laugh James Harper , 2003 single work review
— Appears in: The Courier-Mail , 8 February 2003; (p. 17)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Laughs Aren't Enough Brett Debritz , 2003 single work review
— Appears in: Brisbane News , 12 - 18 February 2003; (p. 8)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Comedy Creates Great Affection Alanna Maclean , 2003 single work review
— Appears in: The Canberra Times , 9 August 2003; (p. 10)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Untitled Allan Schou , 2003 single work review
— Appears in: Muse , September no. 232 2003; (p. 10)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Inspired Cosi Hits a High Note Peter Wilkins , 2008 single work review
— Appears in: The Canberra Times , 26 November 2008; (p. 8)

— Review of Cosi Louis Nowra 1992 single work musical theatre
Staging Otherness in Mainstream Australasian and Canadian Dramaturgies Marc Maufort , 2003 single work criticism
— Appears in: Transgressive Itineraries : Postcolonial Hybridizations of Dramatic Realism 2003; (p. 27-79)
Section III of this chapter is entitled 'Alienating Naturalism : Louis Nowra's Dramatury'.
'Who's the Bigger Dill?' : The Madhouse in Recent Australian Drama Veronica Kelly , 1998 single work criticism
— Appears in: The Body in the Library 1998; (p. 167-184)
y Adaptations : A Guide to Adapting Literature to Film Denise Faithfull , Brian Hannant , Strawberry Hills : Currency Press , 2007 Z1361797 2007 single work criticism Adaptations discusses approaches to adaptations of various forms of literature using a range of Australian texts and films as examples.
y A Study Guide to Louis Nowra's Cosi Richard McRoberts , Ballarat : Wizard Books , 1997 Z1612242 1997 single work criticism
Director Sets a High Bar Fiona Gruber , 2010 single work column
— Appears in: The Australian , 24 August 2010 2010; (p. 16)
Adam Spreadbury-Maher, an artistic director from Canberra, is currently (2010), leading a revival of London's pub theatre scene.
Last amended 22 Dec 2015 12:55:19
Settings:
  • 1970s
Newspapers:
    Powered by Trove
    X