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'Oscar Hopkins is an Oxford seminarian with a passion for gambling. Lucinda Leplastrier is a Sydney heiress with a fascination for glass. The year is 1864. When they meet on the boat to Australia their lives will be forever changed ...'
“Oscar Hopkins, the hydrophobic, noisy-kneed son of a preacher, renounces his father’s stern religion in favour of the Anglican Church. Lucinda Leplastrier, a frizzy-haired heiress, impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. When the two finally meet, on board a ship to New South Wales, they are bound by their affinity for gambling and risk, their loneliness, and their awkwardly blossoming mutual affection. Love will prove to be their ultimate gamble.”
(Source: Penguin Random House Blurb (2015))
Adaptations
-
form
y
Oscar and Lucinda
( dir. Gillian Armstrong
)
Australia
United States of America (USA)
:
Dalton Films
Meridian Films
Fox Searchlight Pictures
,
1997
Z840663
1997
single work
film/TV
In England during the early 1800s, Oscar, a young but good-hearted misfit, believes that God has given him a sign to leave his father and his faith and join the Church of England while Lucinda, a teenaged Australian heiress, has a strong desire to liberate her sex from the confines of male-dominated culture. She buys a glass factory, and dreams of building a church made almost entirely of glass and then transporting it to the Australian outback. Oscar and Lucinda meet on a ship going to Australia; once there, they are each ostracised from society for different reasons, and join forces. Since both are passionate gamblers, Lucinda bets Oscar her entire inheritance that he cannot transport the glass church to the outback safely. Oscar accepts her wager, and this leads to the events that change both their lives forever.
- Oscar and Lucinda Elliott Gyger (composer), 2019 single work musical theatre opera
Notes
-
A chapter entitled 'A Degree from Oxford' (Chapter 74) was omitted from the first British and Australian editions and re-instated in subsequent editions.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Braille.
- Dyslexic edition.
Works about this Work
-
How to Build a Glass Church : Peter Carey's Oscar and Lucinda
2021
single work
criticism
— Appears in: Reading Like an Australian Writer 2021; -
Australia in Three Books
2019
single work
essay
— Appears in: Meanjin , Spring vol. 78 no. 3 2019; (p. 15-19)
— Review of Midnite : The Story of a Wild Colonial Boy 1967 single work children's fiction ; Oscar and Lucinda 1988 single work novel ; Questions of Travel 2012 single work novel'Our lives are made up of different arcs—love, family, politics, geography, time and dislocation among them. One of the arcs that has exercised me most is my wondering about post-colonising Australia and its myths and mythmaking propensities, also about my family’s.
'Although my childhood was spent mostly in Melbourne, it was punctuated by our frequent pilgrimages to the promised land (aka South Australia) and inflected by the awareness that Melbourne was exile to my South Australian mother—feelings I do not share. She often reminded us of our ‘free settler’ heritage, and of our roots in the colonial era, no more than a blink of time ago in the face of 50,000 or more years of Aboriginal occupation; my horror has only grown with the intervening years.
'We loved South Australia for our own reasons: for heat, our peerless great-grandmother, wild freedom and the beach. But an awareness of myth, of the stories we tell and the ways we frame present and past, was kindled. If there is an arc in this selection, it is that the postcolonial Australia that I first began to think about as a child—if only at the edges of my mind—is a myth. It always has been.' (Introduction)
-
Protesting 1938 & 1988 – from Capricornia to Oscar & Lucinda
2018
single work
essay
— Appears in: Sydney Review of Books , September 2018;'I first read Xavier Herbert’s remarkable novel Capricornia in 1972 – the year I was married – and it led to several heated discussions with my newly acquired father-in-law. Later I discovered that his grazier forebears had been – for their time – enlightened squatters. Around 1900, they commissioned Steele Rudd’s father, the ex-convict Thomas Davis, to write a memoir of his early days on the Darling Downs. As well as a frank account of frontier violence, it included an extensive glossary of Aboriginal words.' (Introduction)
-
guo jia qing dian yu ao da li ya li shi xiao shuo
Celebration of a Nation : The Bicentenary and the Australian Historical Novels
2017
single work
criticism
— Appears in: Foreign Literature Review , vol. [2017] no. 3 2017; (p. 122-140)'1988年澳洲殖民二百周年庆是一个具有重大历史意义的事件。该庆典的官方组织者希望这次庆祝活动成为民族自我欢庆的和谐大合唱,可实际上它却成了各种政治势力和利益群体竞技的话语场。凯特·格伦维尔的《琼创造历史》和彼得·凯里的《奥斯卡与露辛达》这两部当年出版的历史小说是典型的"二百周年庆作品",反映了该时期独特的期待视野、价值观和利益;它们也是作家以写作方式积极参与社会大辩论、表达自己政治立场、历史观和对民族接触问题态度的产物'
Source: CAOD.
-
Viaxes Literarias E Culturais Entre Galicia E Australia
2015
single work
criticism
— Appears in: Rosendo Salvado Eo Aborixe of Australia 2015; (p. 209-228)
-
[Review] Jack Maggs
2003
single work
review
— Appears in: JAS Review of Books , April no. 14 2003;
— Review of Jack Maggs 1997 single work novel ; The Unusual Life of Tristan Smith 1994 single work novel ; Oscar and Lucinda 1988 single work novel ; Illywhacker 1985 single work novel ; The Tax Inspector 1991 single work novel ; Collected Stories 1994 selected work short story -
Untitled
1988
single work
review
— Appears in: Fremantle Arts Review , August vol. 3 no. 8 1988; (p. 15)
— Review of Oscar and Lucinda 1988 single work novel -
Untitled
2006
single work
review
— Appears in: 1001 Books You Must Read Before You Die 2006; (p. 766)
— Review of Oscar and Lucinda 1988 single work novel -
Plotting (2) : a Quarterly Account of Recent Fiction
1989
single work
review
— Appears in: Overland , May no. 114 1989; (p. 52-57)
— Review of Down the Breakie 1989 single work novel ; Dear You 1988 single work novel ; Oscar and Lucinda 1988 single work novel ; The Velodrome 1988 single work novel ; The Best Picture 1988 single work novel -
Glass Bead Game
1988
single work
review
— Appears in: The Age Monthly Review , October 1988; (p. 5-6)
— Review of Oscar and Lucinda 1988 single work novel -
Altering Horizons : An Aesthetic of Reception and Reproduction in Oscar and Lucinda
2001
single work
criticism
— Appears in: Australian Literary Studies in the 21st Century 2001; (p. [145]-150) "[Explores] the changing conditions under which texts, such as Oscar and Lucinda are read, interpreted, translated and reproduced by using the theories of [Hans Robert] Jauss and [Wolfgang] Iser." -
Dominionisation or Infiltration : Religion and the Territorial Imperative in Post-Colonial Writing
2003
single work
criticism
— Appears in: Resistance and Reconciliation : Writing in the Commonwealth 2003; (p. 114-129) -
Colonial Folly : Peter Carey's Oscar and Lucinda (1988)
2002
single work
criticism
— Appears in: The Booker Prize and the Legacy of Empire 2002; (p. 93-99) -
A Prophetic Vision of the Past : Allegories of Difference in Shasi Tharoor's The Great Indian Novel and Peter Carey's Oscar and Lucinda
2003
single work
criticism
— Appears in: Austral-Asian Encounters : From Literature and Women's Studies to Politics and Tourism 2003; (p. 226-242) 'There can seem very little, on the surface to link India and Australia. This essay argues that it is the reaction to, and transformations of history that unite these two former colonies. History is one of the primary tools of imperial domination because by instituting a record of the past as European it confirms the dominance of Eurocentrism established by the invention of the world map. When colonial societies are historicized they are brought into history, brought into the discourse of modernity as a function of imperial control—mapped, named, organized, legislated, inscribed. But at the same time they are kept at History’s margins, implanting the joint sense of loss and desire. This essay demonstrates the role of literature in transforming the record of the past. Excluded from world history, colonies relied on the role of writers to narrate the story of cultures that had been subsumed into empire. They do this by allegorizing the movement of history in place. The Great Indian Novel and Oscar and Lucinda offer very different re-conceptions of history based on the culturally disparate functions of myth and chance. Though very different, they are united in their project to reconceive imperial history and thus establish a story outside that history for colonial societies.' (Publication abstract) -
Land Nationalisers, Single Taxers and Environmentalism in Late Nineteenth Century Australia
2004
single work
criticism
— Appears in: Melbourne Historical Journal , vol. 32 no. 2004; (p. 13-30) The paper explores an early form of environmentalism in Australia, the agrarian radicalism of the late nineteenth century.
Awards
- 2008 shortlisted The Booker Prize — The Best of the Booker
- 1990 winner Festival Awards for Literature (SA) Adelaide Festival Awards for Literature South Australian Literary Awards — Award for Fiction
- 1989 winner NBC Banjo Awards — NBC Banjo Award for Fiction
- 1989 winner Miles Franklin Literary Award
- 1988 winner 3M Talking Book of the Year Award
-
cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,
- Sydney, New South Wales,
- Bellingen, Dorrigo - Bellingen area, New England, New South Wales,
- 1860s