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Kathryn Hummel Kathryn Hummel i(A78571 works by)
Gender: Female
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Works By

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1 One Good Thing i "One good thing", Kathryn Hummel , single work poetry
— Appears in: The Four Quarters Magazine
1 Summer Sleep i "You know because I call you", Kathryn Hummel , single work poetry
— Appears in: The Four Quarters Magazine
1 Sharom, Baby i "Sharom, baby. No-one’s champion. More like", Kathryn Hummel , 2023 single work poetry
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , October vol. 27 no. 2 2023;

Epigraph:

Of flashing knives, whirling sticks, bursting bombs,
And accompanying gutturals and fricatives of hate,
And evil that requires no axis
To turn on, being everywhere –
Kaiser Haq, ‘Published in the Streets of Dhaka’

1 Shark Week Kathryn Hummel , 2023 single work prose
— Appears in: Westerly , vol. 68 no. 1 2023; (p. 109-113)
1 Visiting Spinsters i "The truth took thirty year", Kathryn Hummel , 2020 single work poetry
— Appears in: Rabbit , no. 29 2020; (p. 68-69)
1 Lullaby for the Sicker Sister i "How fast infection—like attachment—holds—.", Kathryn Hummel , 2019 single work poetry
— Appears in: Stilts , September no. 5 2019;
1 Gentillesse Kathryn Hummel , 2019 single work poetry
— Appears in: Meniscus , April vol. 7 no. 1 2019; (p. 13)
1 Equinox i "At a certain hour today, I learned of allision.", Kathryn Hummel , 2019 single work poetry
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , February vol. 6 no. 1 2019;
1 Buried Even Under i "Never had the taste to travel in pairs", Kathryn Hummel , 2019 single work poetry
— Appears in: Australian Multilingual Writing Project , May no. 2 2019;
1 Sold Out II i "And here we have the slot machine", Kathryn Hummel , 2019 single work poetry
— Appears in: Foam:e , March no. 16 2019;
1 Narrative Arc i "The distance between expanding curves is vexing.", Kathryn Hummel , 2018 single work poetry
— Appears in: Overland , Summer no. 233 2018; (p. 105)
1 Gracenotes & Endnotes i "The floor is a forest. The keys on the chain ring", Kathryn Hummel , 2018 single work poetry
— Appears in: Westerly , November vol. 63 no. 2 2018; (p. 198)
1 Pondicherry i "My patience runs like time in transit. Where it pools,", Kathryn Hummel , 2018 single work poetry
— Appears in: Empathy : Poems from the 2018 ACU Prize for Poetry 2018; (p. 22)
1 Aberration i "history tells me i am everyone's", Kathryn Hummel , 2018 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 88 2018;
1 Outing the Unwritten : Reflections on Academia and the Field in Bangladesh Kathryn Hummel , 2018 single work essay
— Appears in: Westerly , vol. 63 no. 1 2018; (p. 57-70)

'Always there remain alternate versions of your official research project - half written then abandoned, scratched in the margin of a book, or descending through your brain cloud at 2am only to evaporate upon waking. These unrealised versions have their own validity. They could even be described as the purest kind of enquiry, unfettered by the format that research proper must follow to be recognised and accepted.' (Introduction)

1 Sinny and the Circus i "Sinny ran away from the race the other day", Kathryn Hummel , 2018 single work poetry
— Appears in: Not Very Quiet , March no. 2 2018;
1 Calling Out Misogyny in the Auslit Scene Kathryn Hummel , 2018 single work essay
— Appears in: Verity La , March 2018;
1 I Want to Look Like the Girls in the Mail Order Catalogue i "I Want to Look Like the Girls in the Mail Order Catalogue", Kathryn Hummel , 2018 single work poetry
— Appears in: Cordite Poetry Review , 1 February no. 84 2018;
1 Villanelle : Don't Kill Yourself but the Hours Instead Kathryn Hummel , Jen Lush (composer), 2017 single work lyric/song
— Appears in: The Night's Insomnia 2017;
1 Suite from The Bangalore Set : The Poetry of Ethnographic Collaboration Kathryn Hummel , 2017 sequence poetry
— Appears in: The Authorised Theft Papers : Writing, Scholarship, Collaboration 2017;

'This suite of poems from The Bangalore Set engages with the fields of postcolonial ethnography and arts-based inquiry. The result of a creative collaboration between an Australian writer/ethnographer and a range of people she encountered while in residence in Bangalore, India, the compositional process behind the poems indicates how arts-based methods can effect balance between the traditional binary of Researcher and Researched within ethnographic studies. Presented chronologically, the poems track Kathryn Hummels progression from observer to participant to interpreter of others lives in and views of the city, demonstrating how creative collaboration might shift ethnography away from its divisive colonial origins towards a practice more suited to contemporary postcolonial contexts.'

Source: Abstract.

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