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Kathleen Mary Fallon Kathleen Mary Fallon i(A31274 works by)
Also writes as: Mary Fallon ; Mary Fallin
Born: Established: 1951 Monto, Monto area, Biggenden - Gayndah - Monto area, Central West Queensland, Queensland, ;
Gender: Female
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Works By

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1 Millennnial Romp Kathleen Mary Fallon , single work review
— Review of Miles Walker, You're Dead Linda Jaivin , 1999 single work novel
1 Credibility Gulf Kathleen Mary Fallon , 2022 single work essay
— Appears in: Arena Quarterly , Spring no. 11 2022; (p. 83-85)
'In January 2022 I performed my three one-woman pieces—whitenoise: 12 ghosts—over three nights at Theatre Works Mullet Festival. Each piece focused on a different form of violence: Laying Down the Law looked at the gendered violence of the Lindy Chamberlain case; What Happened Was This was the story of LebaneseAustralian Mamdouh Habib, his kidnapping, imprisonment and torture; Credibility Gulf, the third, focused on the first Gulf War. These were significant and iconic moments that have settled deep into our collective memories and cultural/political unconscious. I wanted to put the bodies and stories back together, reassemble them differently to create a new, more human, empathetic, and politically aware re-assessment of what really happened. I wanted whitenoise to re-contextualise these events, allowing the audience to re-member and re-appraise their impact: to activate an awareness of why re-engagement with these iconic events and characters—their ghosts—is necessary. I hoped to give the audience some conceptual and creative tools to extrapolate to similar events, including those taking place today.' (Introduction)
1 1 Credibility Gulf Kathleen Mary Fallon , 2022 single work drama
— Appears in: Arena Quarterly , Spring no. 11 2022; (p. 85-91)
1 Time Travel through Unfinished Business Kathleen Mary Fallon , 2021 single work short story
— Appears in: Arena Quarterly , no. 8 2021; (p. 79-83)
1 Emcon’s ‘Yes Missus, No Missus’ Domestic Slavery Song i "Missus: Is the morning fire ready in the stove?", Kathleen Mary Fallon , 2019 single work poetry
— Appears in: Live Encounters , October 2019;
1 Police State i "Joe Gilovich, a post-traumatic stress-effected Vietnam vet, was shot", Kathleen Mary Fallon , 2019 single work poetry
— Appears in: Live Encounters , October 2019;
1 Love Art Inc. i "Once they went through the black velvet curtain the evening", Kathleen Mary Fallon , 2019 single work poetry
— Appears in: Hecate , vol. 45 no. 1/2 2019; (p. 25-133, 309)
1 Michael – a Potter Not a Ceramicist Kathleen Mary Fallon , 2019 extract short story (A Fixed Place)
— Appears in: Sydney Review of Books , June 2019;
1 2 y separately published work icon A Fixed Place A Fixed Place : The Long and Short of Story Kathleen Mary Fallon , Nedlands : UWA Publishing , 2019 16581574 2019 selected work short story

'What was it like, living through the social, cultural and political upheaval of the last fifty years of the twentieth century in this Lucky Country? With life flying forward into the future, what could be held onto, and what self (that place which is never fixed) could fix and hold the experience of those years?

'In A Fixed Place: the long and short of story, we find moments that were held – moments of stasis, of hard-won clarity, of sexuality, joy, confusion, compassion. Fallon has collected writings published across a span from the 1980’s in magazines and ephemeral publications to make a picture of the act of creation through writing.

'The collection includes pieces that span and scan more than half a lifetime: from the story a child tells herself as she struggles to come to terms with the weirdness of her extended family (A Fixed Place), to the story of a young teenager trying to comprehend tales told around the kitchen table, tales that defy interpretation (The Origins and History of Aquarelle Taffeta), to a story of violence and murder (bringing yourself to do it). They encompass the complexities of lesbian sexuality (Not Unlike the Peeling of Many Bells and International lesbians – portraits) and interracial adoption/fostering (Goat Song). Employing a range of styles and stylistic devices, the innovative language and format of each story is carefully crafted to match the subject matter.

'These stories are slippery with the grunt and sweat of hard yakka – the work of striving towards consciousness against the grain of good old she’ll-be-right complacency. Whether in slave-like conditions in quiet suburbs or in dreamlike states on the horizon of the Australian imagination, the characters and their stories are in our cultural DNA and need to be remembered.'

Source: Publisher's blurb.

1 Writing at, Writing to, the Lover, the Other and the Possibility of Conversation Kathleen Mary Fallon , 2019 single work essay
— Appears in: Outskirts : Feminisms along the Edge , vol. 40 no. 2019;

'I’m writing a piece called Mourning of the Lac Women. In it I’m trying for something I call extreme writing, seeking the limits of subjectivity and intersubjectivity in language, trying for language as discourse— from discurrere: to run about, range widely, wander off course – in search of conversation, communication, the constellation of intersubjective becomings. '  (Introduction)

1 Portrait 2 Kathleen Mary Fallon , 2018 single work prose
— Appears in: Live Encounters , February 2018;
1 Portrait 1 Kathleen Mary Fallon , 2018 single work prose
— Appears in: Live Encounters , February 2018;
1 Goat Song Kathleen Mary Fallon , 2015 single work short story
— Appears in: Mothers & Others : Australian Writers on Why Not All Women Are Mothers and Not All Mothers Are the Same 2015; (p. 216-227)
1 The Australian South Sea Islanders (ASSI): Towards a Postcolonial Australia? Kathleen Mary Fallon , 2015 single work criticism
— Appears in: Conciliation on Colonial Frontiers : Conflict, Performance and Commemoration in Australian and the Pacific Rim 2015;
1 Spirit of France - A Biography : Kaye Nine Kathleen Mary Fallon , 2013 single work prose
— Appears in: TEXT Special Issue Website Series , 17 April no. 17 2013;
1 7 y separately published work icon Paydirt Kathleen Mary Fallon , Crawley : UWA Publishing , 2007 Z1397144 2007 single work novel Presents four monologues highlighting the complex dramas of race politics beneath the complacent facade of ontemporary Australia. - from back cover
1 5 form y separately published work icon Call Me Mum Kathleen Mary Fallon , ( dir. Margot Nash ) Australia : Big and Little Films SBS Television , 2006 6880506 2006 single work film/TV

'Kate is on a plane taking Warren, her 18 year old Torres Strait Islander foster son, to meet Flo, his birth mother, who is gravely ill in hospital in Brisbane. Flo hasn't seen Warren since she took him to the hospital on Thursday Island when he was a toddler and the white authorities took him away. But as Warren, Flo and Kate all prepare themselves for the reunion, unbeknown to them, Kate's Brisbane based parents, Keith and Dellmay, are planning a different kind of reunion.' (Source: IMDb website)

1 2 Buyback : Three Boongs in the Kitchen Kathleen Mary Fallon , 2006 single work drama
1 How Violence Made a Real Mother-of-a-Mother of Me Kathleen Mary Fallon , 2002 single work prose
— Appears in: Meridian , vol. 18 no. 2 2002; (p. 167-188)
1 Endgame Kathleen Mary Fallon , 2001 extract (Laquiem : Tales From the Mourning of the Lac Women)
— Appears in: Enhancer 2001; (p. Track 13 (7.12 mins.))
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