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y separately published work icon Arena Quarterly periodical issue  
Alternative title: Accelerated Worlds
Issue Details: First known date: 2022... no. 11 Spring 2022 of Arena Quarterly est. 2020 Arena Quarterly
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AbstractHistoryArchive Description

'Second wave feminism shines a long beam still on the question of abortion. Wherever young feminists and other activists sit vis a vis arguments about the ‘assignment’ of sex and gender at birth, both something of the passion born specifically of women’s connection to abortion, and second wave feminism’s modern raising of abortion to the status of a woman’s right, seem to have fuelled the recent demonstrations and massive outpourings around Roe v Wade.' (Alison Caddick, Editorial introduction)

Contents

* Contents derived from the 2022 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Firei"nothing is as final as fire", Edith Speers , single work poetry (p. 31)
Lighti"Look at the light upon the Earth—", Edith Speers , single work poetry (p. 31)
Exercises for Free Willi"jump to conclusions", Edith Speers , single work poetry (p. 31)
'Horse' The Making of an Australian Working Man: Dinny McQueen, 1899–1971, Humphrey McQueen , single work essay
'My father has been dead for fifty years. He was going on for seventy-two, and had been doing, on that Friday in late October 1971, what he had done for most of his life: labouring in a tannery. As usual on Friday nights, he brought home fish-and-chips and a bottle of Fourex, to fall asleep in front of the television. My mother could not wake him.' 

 (Introduction)

(p. 75-80)
Techi"I remember the old man", John Falzon , single work poetry (p. 81-82)
A May Day Poemi"Here is where we start from", John Falzon , single work poetry (p. 82)
Credibility Gulf, Kathleen Mary Fallon , single work essay
'In January 2022 I performed my three one-woman pieces—whitenoise: 12 ghosts—over three nights at Theatre Works Mullet Festival. Each piece focused on a different form of violence: Laying Down the Law looked at the gendered violence of the Lindy Chamberlain case; What Happened Was This was the story of LebaneseAustralian Mamdouh Habib, his kidnapping, imprisonment and torture; Credibility Gulf, the third, focused on the first Gulf War. These were significant and iconic moments that have settled deep into our collective memories and cultural/political unconscious. I wanted to put the bodies and stories back together, reassemble them differently to create a new, more human, empathetic, and politically aware re-assessment of what really happened. I wanted whitenoise to re-contextualise these events, allowing the audience to re-member and re-appraise their impact: to activate an awareness of why re-engagement with these iconic events and characters—their ghosts—is necessary. I hoped to give the audience some conceptual and creative tools to extrapolate to similar events, including those taking place today.' (Introduction)
(p. 83-85)
Credibility Gulf, Kathleen Mary Fallon , single work drama (p. 85-91)
Black Summer Reflections, a 2020 Looking Glass, Carolyn Masel , sequence poetry (p. 92)
Discoveries and Cover-upsi"They wouldn’t tell us where he’d gone.", Carolyn Masel , single work poetry (p. 92)
Poverty Theologyi"Was it bats in wildlife markets", Carolyn Masel , single work poetry (p. 92)
Lord Howe Islandi"In 1918 ravenous rats and mice", Carolyn Masel , single work poetry (p. 92)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 6 Oct 2022 08:16:55
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