Christopher Kelen is a poet and scholar. The Oxford Companion to Australian Literature describes Kelen's work as 'typically innovative and intellectually sharp'. Kelen holds degrees in literature and linguistics from the University of Sydney and two doctorates from the University of Western Sydney: a PhD in the area of poetics and an EdD in Critical Pedagogy of Creative Writing. In 1996 Kelen was Writer-in-Residence for the Australia Council at the B. R. Whiting Library in Rome.
Kelen is also a visual artist, and his art works have been widely exhibited. In 2000 Kelen's poetry/art collaboration (with Carol Archer) 'Tai Mo Shan/Big Hat Mountain' was exhibited at the Montblanc Gallery in Hong Kong's Fringe Club, and in 2001 another collaboration (essay and watercolour) titled 'Shui Yi Meng/Sleep to Dream' was shown at the Montblanc Gallery. Both exhibitions have been published as full colour catalogues. In 2007, Kelen edited a feature entitled 'Poetry of Response' which appears in Jacket magazine.
Kelen has published in a range of theoretical areas including writing pedagogy, ethics, rhetoric, cultural and literary studies and various intersections of these. In 2009, he published two theoretical works, Poetry, Consciousness and Community and City of Poets, an English-language study of Macao poets. Kelen has worked as an Associate Professor in the English Department at the University of Macau, where he has taught Literature and Creative Writing. He has been the principal investigator in the University of Macau's 'Poems and Stories of Macao Research Project'. In 2010 Kelen coordinated a poetry translation retreat at Bundanon in New South Wales, part of an ongoing project translating Australian poets into Chinese. Kelen has edited the on-line journal Poetry Macao and has worked as poetry editor for the monthly lifestyle/current affairs journal Macao Closer.
As well as the works recorded here, Kelen has edited over ten collections of Macau short stories, including The First Dozen Stories, Ten Tales for Kids, Four Seasons, and The SARS Story: A South China Decameron.