AustLit

Three young girls accidentally stumble on a tidepool on a secret island; when bathed in moonlight, the tidepool transforms them into mermaids, with great powers over water--but also a tendency to sprout a tail whenever they come into contact with water.

The original three mermaids--Emma, Cleo, and Rikki--separate at the end of season two, when the actress playing Emma left the show. In season three, another character, Bella, is added: Bella had become a mermaid in an unrelated incident some years earlier.

The mermaids also face various antagonists, ranging from rivals (e.g., the antagonist for season two, Charlotte, who manages to obtain similar powers from the moon pool) to those who wish to exploit the mermaids for their own profit.

As with Jonathan M. Shiff's other productions, the program is aimed largely at young teen audiences.

Two students--easy-going and not terribly academically inclined Toby and unpopular teacher's pet Elizabeth--are hit by an unusual magnetic pulse that transforms them both into scientific geniuses. While Toby is uncomfortable with his new power and not certain how to put it to use, Elizabeth revels in hers, hoping to dominate the school.

Creator Jonathan M. Shiff notes (in the media kit for season one) that

'I wanted the series to be grounded in real teenagers and an authentic school environment - bringing the chaos of teenage emotions and friendship to the backdrop of science and adventure. Wicked Science is very much driven by Elizabeth's desire to catch Toby's attention and instead of witchcraft or magic it is science she uses as the tool'.

The production company also liased with Australian Teachers of Media (ATOM) to create a study guide that would enable teachers to use Wicked Science as a starting point for classroom discussions of science, its place in society, and the specific scientific concepts explored in the series.

Four children stumble into the secret underground lair of a long-dead super-hero, the Silver Shadow. Defeated (and killed) by his arch-nemesis, The Crab, in the 1950s, the Silver Shadow lives on as a digital recording in his base's computer. Just as he convinces the four to take up his role as the city's defender, The Crab, now an old man in a retirement village, trains his grand-daughter to be his own successor.

As with other programs produced by the Australian Children's Television Foundation (ACTF), Legacy of the Silver Shadow concentrated strongly on questions of self-identity, peer pressure and conformity, and individualism.

Australian Screen includes some clips from Legacy of the Silver Shadow: http://aso.gov.au/titles/tv/legacy-silver-shadow-feral/clip1/ (Sighted: 23/2/2012). The program is also available on DVD via the ACTF.

The president of Catalyst software company hires five high-school whiz-kids to help save her failing business.

The program's interest in artifical intelligence, the Internet, and the video-game industry was comparatively unusual for the time. As with other Australian Children's Television Foundation programs, the focus was on the child protagonists, all Melbourne high-school students with a keen interest in video gaming, who are recruited as games testers by Alexandra Davis, president of Catalyst, in the hopes that they will be able to revitalise her failing business.

Produced in association with the Disney Channel, Crash Zone was successful in Canada and the United Kingdom, as well as Australia.

'Staff in an emergency department of a large Australian hospital have become addicted to the adrenalin rush they experience while dealing with life and death emergencies.'

Source: Screen Australia.

An American/Australian co-production, this series was a revival of the original 1964 - 1967 series Flipper.

The show's production is sharply divided between seasons one and two on one side and seasons three and four on the other.

Seasons one and two aired in first-run syndication in the US, as American television networks turned away from funding comparatively expensive one-hour dramas in the late 1980s and 1990s. These two seasons were made in Australia and took advantage of local directors and other crew, but, notably, the script-writers were exclusively American (as far as they have been traced).

For seasons three and four, Flipper left first-run syndication and aired in the US on the new network PAX TV (now Ion Television). These two seasons were also made in Australia and directed by Australians, but for the first time, they also used Australian script-writers: of the writers who have been traced for seasons three and four, all of the season three writers and the majority of the season four writers are Australian.

For full information on the script-writers, see the list of episodes on the film details page of this record.

Science fiction in a stricter (and less speculative) sense, Sky Trackers followed the adventures of a group of scientists' children living in a remote space-tracking station in the Australian outback. The program had the romantic component common to young-adult programming (with blossoming romance between thirteen-year-old Nikki and fourteen-year-old Mike), but also focused on such topics as ambition, future careers, and scholastic achievement.

'Fast-paced series spin-off of the hit feature film. Filmed at an abandoned school in Sydney's Maroubra, this program was about an ethnically diverse group of students attending Hartley High School.'

Source: National Film and Sound Archive record.

Set in a small coastal town against the turmoils of murder, mystery and romance, Heartland deals with the death of an Aboriginal girl and the doubts concerning the guilt of her boyfriend, who is arrested for her murder. Vincent Burunga, an Aboriginal police liaison officer working in the town, is an outsider to both the local Aboriginal people and the white justice system, and he finds himself constantly on the edge caught between two cultures trying to understand each other. It explores the developing relationship between Vincent and the newly arrived Elizabeth Ashton. Both are convinced of the young man's innocence but must endure hostility from both the white and black communities and get past the obstacles of their different backgrounds.

The narrative also follows the people from this seaside community and their battle to restructure their own way of life and their struggle to restore their belief in a positive future, despite the obstacles in their path.

G.P. is an Australian television series that ran for eight seasons. Set in and around a fictional general medical practice in an inner-city suburb, the storylines explore the professional and personal lives of the doctors and staff who worked there.