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y separately published work icon Screen Culture in the Global South : Cinema at the End of the World anthology   criticism  
Issue Details: First known date: 2024... 2024 Screen Culture in the Global South : Cinema at the End of the World
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Contents

* Contents derived from the London,
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England,
c
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United Kingdom (UK),
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Western Europe, Europe,:Routledge , 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Introduction : Cinema at the End of the World, Antonio Traverso, , Deane Williams , single work criticism
Introduction – Dossier : Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand, Antonio Traverso, , Mick Broderick , Felicity Collins , Susannah Radstone , single work criticism
Top of the Lake’s Emotional Landscape : Reparation at the Edge of the World, Susannah Radstone , single work criticism
Disturbing the Peace : The Ghost in BeDevil and The Darkside, Felicity Collins , single work criticism
"Be Careful, Cowboy" : The Translation and Mutation of the Western Genre in Red Hill, Nicholas Moll , single work criticism
Different but the Same : Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001), Margaret McVeigh , single work criticism
Mapping the Landscape with Sound : Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema, Anne Barnes , single work criticism
Kangaroo : The Australian Story, Constantine Verevis , single work criticism
The Maslyn Williams Network, Ross Gibson , Deane Williams , single work criticism
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