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AbstractHistoryArchive Description
'This volume adopts a transversal South-South approach to the study of visual culture in transnational, transcultural, and geopolitical contexts.
'Every day hundreds of people travel back and forth between southern countries, including Australia, Argentina, Brazil, Chile, New Zealand, Indonesia, Timor-Leste, and South Africa. With these people travel cultures, experiences, memories, and images. This creates the conditions for the generation, sharing, and circulation of new knowledge that is both southern and about the South as a specific kind of material and imaginary territory (or territories). It does so through the study of the southern hemisphere’s screen cultures, addressing the broad spectrum of cultural expression in both traditional and new screen media, including film, television, video, digital, interactive, and online and portable technologies.' (Publication summary)
Notes
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Contents indexed selectively.
Contents
- Introduction : Cinema at the End of the World, single work criticism
- Introduction – Dossier : Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand, single work criticism
- Top of the Lake’s Emotional Landscape : Reparation at the Edge of the World, single work criticism
- Disturbing the Peace : The Ghost in BeDevil and The Darkside, single work criticism
- "Be Careful, Cowboy" : The Translation and Mutation of the Western Genre in Red Hill, single work criticism
- Different but the Same : Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001), single work criticism
- Mapping the Landscape with Sound : Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema, single work criticism
- Kangaroo : The Australian Story, single work criticism
- The Maslyn Williams Network, single work criticism
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Introduction : Cinema at the End of the World
2024
single work
criticism
— Appears in: Screen Culture in the Global South : Cinema at the End of the World 2024;
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Introduction : Cinema at the End of the World
2024
single work
criticism
— Appears in: Screen Culture in the Global South : Cinema at the End of the World 2024;