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Issue Details: First known date: 2022... 2022 “I Feel I Am a Man and a Free Man Too” : Palawa Voices and the Ethics of Representation in Contemporary Tasmanian Fiction
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AbstractHistoryArchive Description

'This article takes as its point of departure the political work of the English novel in both accompanying and arguably catalysing the expansion of the public sphere in the 18th/19th centuries through the enfranchisement of an ever-expanding range of previously marginalized voices. The representation of first-person testimony was crucial to this achievement, enabling the novel genre to function as a paralegal petition for the pursuit of an ever more equitable polity. Taking as its point of departure novels which revisit criminal trials and scenes of testimonial reception preserved in the colonial archives, the article considers the representation of Indigenous characters in contemporary novels by non-Indigenous Tasmanian authors (including Richard Flanagan and Rohan Wilson) and argues for the ethical effectiveness of their formal choices. Despite the risks involved in the representation of Indigenous voice, these novels ask important questions about the English legal system and its transplantation to Australian shores.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Journal of Postcolonial Writing International Perspectives on Australian Literature vol. 58 no. 1 Jean-François Vernay (editor), 2022 24632721 2022 periodical issue 'This Special Issue showcases stimulating recent writing about Australian literature by scholars whose background (or foreground) lies outside Australia itself. As well having intrinsic interest, these studies draw attention to the state of Australian studies throughout the world, Australian writers’ reception overseas, their impact upon world literature and, and the insights that derive from the critics’ “offshore” positionality. One important feature of the discussion of Australian literature in academic research, articles, and books has been to propel this body of work beyond its national borders and give it international exposure. This Special Issue gives a voice to scholars based around the world and from several different backgrounds – the UK, the Czech Republic, Slovenia, India, China, Japan, and the USA – as well as from Australia itself. Researchers outside Australia were invited to contribute to this volume in terms of the following topics: the state of Australian literary studies in their countries; the globalization of Australian fiction and the effect, if any, of supportive Australian programmes which buttress that process; the translation and reception of Australian literary texts; the extent to which offshore local publishing participates in the dissemination of Australian literature; and the teaching of Australian fiction abroad. The nine articles included here achieve a degree of representativeness in that they range from reception studies of Australian literature in various overseas locations (Vernay, Kačer, Daozhi, Machosky) to readings of Australian fiction by international scholars (Pandey and Parui, Huggan, and Čerče), and instances where texts do not sit comfortably at the intersection of cultures (Shek-Noble).' 

    (Jean-François Vernay International perspectives on Australian literature : Introduction)

    2022
    pg. 36-50
Last amended 20 Jun 2022 09:37:00
36-50 “I Feel I Am a Man and a Free Man Too” : Palawa Voices and the Ethics of Representation in Contemporary Tasmanian Fictionsmall AustLit logo Journal of Postcolonial Writing
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