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'At times a lamentation, at times a celebration, Inheritance is a meditation on loss, displacement, and survival.
'The finely wrought poems in Nellie Le Beau’s Inheritance are intelligent and striking. The poet’s voice is assured as it reels the reader between past and present, between the uncertainty of memory and the crisp precision of observation. Inheritance is an inventive, wide-ranging and vibrant debut collection animated by Le Beau’s capacity for terse, unequivocal phrasing and compelling imagery. – Ella Jeffrey
''Nellie Le Beau’s Inheritance is a psychic exploration of the mediation between past, present and future. The imagery deployed is striking and often surprising, teasing the reader with its unexpected angles and irresolutions. Like the very best poetry, it gives its readers scaffolding to think in new ways. While the individual poems play with different speaker positions and poetic registers, one of the great strengths of the collection is the way it hangs together as a reading experience. I left the manuscript feeling refreshed and as if my mind had been taken on an adventure.' — Ed Wright'
Source : publisher's blurb
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Marion May Campbell Reviews Rose Hunter and Nellie Le Beau
2023
single work
review
— Appears in: Cordite Poetry Review , 1 September no. 110 2023;
— Review of Body Shell Girl 2022 single work autobiography ; Inheritance 2021 selected work poetry'Both these strikingly strong recent poetry publications Body Shell Girl and Inheritance, from Australian poets of feminist inflection, deal at least in part with North American and Canadian experience. While Rose Hunter navigates with a highly effective, raw, and unsentimental diction her often traumatising experience as a sex worker in Toronto and Vancouver, Nellie Le Beau practises an innovative and, at times, a more radically challengingly poetics to send reader perception veering into uncanny encounters with our places in space-time.' (Introduction)
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‘It’s Me Talking’ : Poetry’s Vexed First Person
2022
single work
review
— Appears in: Australian Book Review , June no. 443 2022; (p. 43-44)
— Review of Running Time 2022 selected work poetry ; Inheritance 2021 selected work poetry'The lyric subject, literature’s most intimate ‘I’, has vexed critics for centuries. Is it the poet? Is it a fiction, a device? Or is the relation between author and speaker, as Jonathan Culler suggests, ‘indeterminate’, such that ‘any model … that attempts to fix or prescribe that relationship will be inadequate’? Two new award-winning Australian poetry collections offer fine-grained considerations of personhood and the poem’s capacity to represent it.' (Introduction)
-
‘It’s Me Talking’ : Poetry’s Vexed First Person
2022
single work
review
— Appears in: Australian Book Review , June no. 443 2022; (p. 43-44)
— Review of Running Time 2022 selected work poetry ; Inheritance 2021 selected work poetry'The lyric subject, literature’s most intimate ‘I’, has vexed critics for centuries. Is it the poet? Is it a fiction, a device? Or is the relation between author and speaker, as Jonathan Culler suggests, ‘indeterminate’, such that ‘any model … that attempts to fix or prescribe that relationship will be inadequate’? Two new award-winning Australian poetry collections offer fine-grained considerations of personhood and the poem’s capacity to represent it.' (Introduction)
-
Marion May Campbell Reviews Rose Hunter and Nellie Le Beau
2023
single work
review
— Appears in: Cordite Poetry Review , 1 September no. 110 2023;
— Review of Body Shell Girl 2022 single work autobiography ; Inheritance 2021 selected work poetry'Both these strikingly strong recent poetry publications Body Shell Girl and Inheritance, from Australian poets of feminist inflection, deal at least in part with North American and Canadian experience. While Rose Hunter navigates with a highly effective, raw, and unsentimental diction her often traumatising experience as a sex worker in Toronto and Vancouver, Nellie Le Beau practises an innovative and, at times, a more radically challengingly poetics to send reader perception veering into uncanny encounters with our places in space-time.' (Introduction)
