AustLit
Latest Issues
Contents
- The Dilemma of Writing a Few Versesi"The dilemma of writing a poem without light,", single work poetry
- Look Back to Where the Wound Isi"Look back to where the wound is", single work poetry
- Life Is a Table Set up for Us to Live the Dayi"I wait for the call of your green leaves", single work poetry
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Barrister Geoffrey Robertson,
single work
column
'Geoffrey Robertson is disillusioned. The world-famous barrister has, at 74, lost his belief in the effectiveness of international law. “I have not lost faith in the ICC [International Criminal Court]. I still think it’s necessary,” he tells me by phone from London, his voice more redolent of duty than of conviction. “But its catchment area is quite small...”' (Introduction)
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Dan Spielman,
single work
column
'Dan Spielman’s acting career began when he was still at high school, when he started working with the acclaimed indie company The Keene/Taylor Theatre Project in the 1990s.' (Introduction)
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Jamie Marina Lau, Gunk Baby,
single work
review
— Review of Gunk Baby 2020 single work novel ;'A “non-place”, as Marc Augé describes in his 1995 essay-turned-book Non-Places: Introduction to an Anthropology of Supermodernity, is a venue whose uniformity of design makes it indistinguishable from another, regardless of where you are in the world. One can think of shopping centres, supermarkets and airports as non-places, although more recently we can also include cafes, Airbnbs and social media profiles. In Augé’s view, a non-place is a “supermodernism” that has emerged out of globalisation, resulting in “places of memory” that are unbroken chains. These places become so familiar they eventually become socially estranging.' (Introduction)
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Chloe Wilson, Hold Your Fire,
single work
review
— Review of Hold Your Fire 2021 selected work short story ;'“They said: ‘Keep that boy at arm’s length’. But whose arm? The arm of an orangutan, a giant squid, a Tyrannosaurus rex?” These lines from Chloe Wilson’s short story collection Hold Your Fire could be a response to the standard advice given to girls on how to ward off unwanted sexual advances. It’s the kind of advice that puts the onus on victims, so that the body they’re trying to protect – their own – somehow, monstrously, becomes both predator and prey, a hostile, turbulent force that they must spend their entire lives keeping under tight control.' (Introduction)
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Fiona Murphy, The Shape of Sound,
single work
review
— Review of The Shape of Sound 2021 single work autobiography ;'“The shape of sound” is not just a metaphor. Sound is literally shapely. It’s physical, forceful; it can be overwhelming. Fiona Murphy’s debut memoir reminds us that while the “prevailing assumption is that deaf people hear nothing ... I feel sound rolling over my skin. I see it shimmer off other faces. I taste it in my mouth. Sometimes, it is all too much.”' (Introduction)
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Film Productions Move to Australia,
single work
column
'Chris Hemsworth has been forced to film at a Gold Coast convention centre, such is the demand for sound stages in Australia. Next month, the Thor actor’s adopted home in Byron Bay will be invaded by Netflix’s Byron Baes, the streaming giant’s first Australian reality TV series, which has stirred controversy with locals and made headlines around the world. All around the country, it seems, the film and television industry is experiencing a gold rush. At least at first glance.'(Introduction)