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Nicholas Bugeja Nicholas Bugeja i(17536307 works by)
Gender: Male
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Works By

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1 Death, Neglect and Conspiracy in Mystery Road (Ivan Sen, 2013) Nicholas Bugeja , 2019 single work review
— Appears in: Senses of Cinema , October no. 92 2019;

— Review of Mystery Road Ivan Sen , 2013 single work film/TV

'A dead Indigenous girl, no more than 16 years of age, is discovered in a drain underneath a highway in the aptly named Massacre Creek area. The drain is flanked by the wide, impossible expanses of outback Australia – a place where screams go unheard and violence can be wrought without any real fear of reprisal. Her throat has been cleanly slit by an unknown assailant for an unknown reason, and wild dogs have already taken to her corpse. This is how Ivan Sen’s Mystery Road opens.' (Introduction)

1 The Past, Present and Future of Toomelah (Ivan Sen, 2011) Nicholas Bugeja , 2019 single work review
— Appears in: Senses of Cinema , October no. 92 2019;

— Review of Toomelah Ivan Sen , 2011 single work film/TV

'The bulk of Ivan Sen’s cinematic oeuvre – documentary and fiction (not that there is always great disparity between the two) – converges around a set of core themes: the intractable legacy of British colonialism and racism; the complex inscriptions on, and meanings of, landscape; the resilience of Indigenous Australia; the importance of cultural connection; and a quiet optimism for a just, caring Australia – one in which historical wounds can be healed.' (Introduction)

1 The Gap : An Australian Paramedic’s Summer on the Edge by Benjamin Gilmour Nicholas Bugeja , 2019 single work review
— Appears in: Australian Book Review , October no. 415 2019; (p. 39)

— Review of The Gap Benjamin Gilmour , 2019 single work autobiography
'Sirens wail. Families cry together. Defibrillators shock bodies into convulsion. These are the sounds and images that veteran paramedic, writer, and filmmaker Benjamin Gilmour animates in his latest book, The Gap. His prose is direct, honest, uncompromising; often unembellished. ‘Death is demystified to us; it’s the business we’re in,’ he writes. At times, we feel like we are sitting in the ambulance with him and his band of partners: John, Jerry, Tracy, Matt, and Donna.' (Introduction)
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