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AbstractHistoryArchive Description
'Adrian Pomeroy teaches English at a boys’ school ‘full of bullshit artists in blazers’. When he finds himself at the centre of an allegation that might end his career, his life starts to unravel in spectacular fashion. With a police investigation underway, Adrian turns to his detective brother for help, but Noel is battling crippling demons of his own.
'As the repercussions of this one accusation lead to the implosion of Adrian’s family, he can no longer ignore the secrets buried in his past. The Apology is an explosive and shocking portrait of the lies we tell ourselves and each other in order to survive.'
Source: Publisher's blurb.
Notes
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Dedication:
For my mum and dad.
For my brothers.
For me.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Limits of Forgiveness
2018
single work
review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 22 no. 2 2018;
— Review of The Apology 2018 single work novel'The dangerous potential of leaping to conclusions is the backbone of Ross Watkins’ ambitious and deceptively clever debut novel for adults, The Apology. Using a cool, clear style, Watkins has created a suspenseful narrative in which the reader’s expectations are slowly chiseled away as the plot explodes anticipated versions of reality. The novel begins with a brief, untitled and anonymously voiced first page. This opening describes the titular apology and drip-feeds enough context so that, before the narrative even begins, we, as readers, have made various assumptions. The wily ambiguity of this introductory text is only evident as the plot accelerates towards the climax and the reader recognises their initial interpretations to have been dangerously simplistic.' (Introduction)
-
The Limits of Forgiveness
2018
single work
review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 22 no. 2 2018;
— Review of The Apology 2018 single work novel'The dangerous potential of leaping to conclusions is the backbone of Ross Watkins’ ambitious and deceptively clever debut novel for adults, The Apology. Using a cool, clear style, Watkins has created a suspenseful narrative in which the reader’s expectations are slowly chiseled away as the plot explodes anticipated versions of reality. The novel begins with a brief, untitled and anonymously voiced first page. This opening describes the titular apology and drip-feeds enough context so that, before the narrative even begins, we, as readers, have made various assumptions. The wily ambiguity of this introductory text is only evident as the plot accelerates towards the climax and the reader recognises their initial interpretations to have been dangerously simplistic.' (Introduction)
