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Issue Details: First known date: 2016... 2016 Peter Roennfeldt : Madame Mallalieu: An Inspiring Musician and Her Legacy for Queensland
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'Peter Roennfeldt’s study of the musician Henrietta Willmore might have been called The Fortunes of Henrietta Percival because, like Henry Handel Richardson’s trilogy, The Fortunes of Richard Mahony, it is a migrant story. Henrietta Percival came to Brisbane in 1864 as the wife of Alfred Mallalieu and, as their family grew, Henrietta established herself as a teacher and the ‘most accomplished female pianist and organist to have resided in colonial Brisbane’ (2015: vi). While the physician Mahony initially prospers in Australia, but ultimately succumbs to madness, Henrietta (who reinvents herself as Madame Mallalieu) is more resilient. She overcomes personal sorrow following the death of her daughter, survives the disappearance of two husbands and leaves an important cultural legacy.' (Introduction)

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    y separately published work icon Queensland Review vol. 23 no. 1 June 2016 12016999 2016 periodical issue

    'This issue's cover image, ‘Parallel Universe: Stones Corner’, comes from the Museum of Brisbane exhibition, Navigating Norman Creek. Trish FitzSimons created a series of short documentaries that reveal the natural and social ecosystems sustained by Norman Creek, even as the city encroaches ever closer and more densely. The overhanging branches of her arresting image form a barrier that protects the stream, its wildlife and the local people who use the creek for recreation and dreaming. It also suggests that this place has survived because there is something impenetrable about it. This image sets up a theme about habitat and dwelling that loosely links the essays in this issue.' (Editorial introduction)

    pg. 103-105
Last amended 13 Oct 2017 12:39:00
103-105 Peter Roennfeldt : Madame Mallalieu: An Inspiring Musician and Her Legacy for Queenslandsmall AustLit logo Queensland Review
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