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Issue Details: First known date: 2016... 2016 Coca-Cola Birds Sing Sweetest in the Morning
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AbstractHistoryArchive Description

'B ut Audrey is partial to the Panasonic birds, a cheaper but no less handsome variety; they acknowledge the dawn without extravagance, pip pip pip pip pip, little notes of fixed widths, such deft, even spacing. They are not meant to be here in the city; Audrey suspects they have migrated from Russet Hill, a network over a hundred kilometres away, renowned for wildflowers. The birds have a talent for evasion, as Audrey has never seen them at the reassignment plant; just as well, perhaps, for to crack open such a tender body, to see the inert parts that produce the sound of her dawn - it would surely be an act of violence. Audrey slips into the morning - or perhaps the morning slips into her, like a suggestion, pip pip pip pip pip - opens her eyes to a crisp blue sky, so bleeding-edged in its clarity. It is the kind of sky that reminds her that she was once loved.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Best Australian Stories 2016 Charlotte Wood (editor), Melbourne : Black Inc. , 2016 9666034 2016 anthology short story

    'The Best Australian Stories anthology brings together Australia’s most striking literary talents and provides a platform for those unpublished gems. This year Stella Prize–winning author Charlotte Wood takes the helm, putting together yet another enchanting collection. ...' (Source: Publisher's website)

    Melbourne : Black Inc. , 2016
    pg. 155-163
  • Appears in:
    y separately published work icon Overland no. 222 Autumn 2016 11405601 2016 periodical issue

    'W ith the release of ‘Formation’ and Beyonce’s performance at this year’s Super Bowl, the Black Lives Matter (BLM) campaign pierced living rooms across the United States. Complete with Black Panther salute and iconography, accompanied by a film clip with a hurricane-drenched landscape and graffiti reading ‘stop shooting us’, a movement that had been demonised by the mainstream media and the right was given a heroic performance in what is, arguably, capitalism’s ultimate spectacle.' (Jacinda Woodhead : Editorial introduction)

    pg. 48-55
Last amended 23 Jun 2017 09:36:28