AustLit logo

AustLit

y separately published work icon Cordite Poetry Review periodical issue  
Alternative title: No Theme No 6
Issue Details: First known date: 2017... vol. 80 1 May 2017 of Cordite Poetry Review est. 1997 Cordite Poetry Review
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
An Den Knaben Elisi"Elis, wenn die Amsel im schwarzen Wald ruft,", Georg Trakl , Christopher Newton (translator), single work poetry
Der Gewitterabendi"O die roten Abendstunden!", Georg Trakl , Christopher Newton (translator), single work poetry
Words and Spills: Disability, Sexuality and Cripping Your Poetry, Kit Kavanagh-Ryan , single work essay

'What am I doing?

'Writing while crip is complicated.

'Not the act itself, not always. My hands work most of the time, and I have access to screen readers and dictation software. But writing crip is messy and awkward and bodied and mine, because no ‘experience of disability is universal’ (Kafer 2013, 34), no matter how much anyone wants it to be.' (Introduction)
Thirty-Six Views of the Parallax: Mark Young’s the Eclectic World, Bandicoot Habitat and Lithic Typology, Javant Biarujia , single work essay criticism
'The first thing to note is that the body of a typical Mark Young poem often bears no relationship to the title. Do not be alarmed: this is a postmodernist conceit, and Young is thoroughly postmodernist, although he would eschew such a label.' (Introduction)
Mansplaining Abortion in Alexis Lateef’s ‘Procedure’, Jessica Durham , Mel Pearce (illustrator), single work essay criticism

'Alexis Lateef’s ‘Procedure’ draws on the conventions of Confessional poetry by women in English – particularly on the influential work of Sylvia Plath and Anne Sexton – to make a creative statement resisting the masculinist imposition of clinical discourses to the raw subjective experience at the centre of this poem: the speaker’s abortion, and its visceral consequences for her rage, guilt, hurt, and defiance.' (Introduction)
I ♥ Newcastlei"We’d run, eyes closed, holding", Nadia Kim , single work poetry
Pollo a La Brasai"I’m a yellow bird balanced on his rotisserie,", Mitchell Ward , single work poetry
Obligationi"I am young but I have money like a grandmother", Joan Fleming , single work poetry
The Messagei"The towering blaze of a bonfire, thick as hair, wind-driven,", Mona Attamimi , single work poetry
Reach & Ambitioni"Late at night, up, looking at", Ken Bolton , single work poetry
‘Gethsemane’, on Patrick Whitei"Gethsemane at your shoulder as you work,", Marcelle Freiman , single work poetry
The Book of Screamsi"Each day in hospital I wake", Andy Kissane , single work poetry
The Falli"I can tell you, when your horse began to slip", Todd Turner , single work poetry
Reservoiri"Sleeping in its brick tabernacle", Sarah Day , single work poetry
Blackberryi"spring abrupts", Jonathan Dunk , single work poetry
These Hillsi"that enclose my days, open up ahead, like a book.", Dimitra Harvey , single work poetry
The Secret Council of Raphael and Michaeli"A secret cave in the glacial", Michael Aiken , single work poetry
Blueprint No. 1: Siemon St.i"The only place I ever lived", Zenobia Frost , single work poetry
Touch Screeni"And like a scene in which the primitive", Stephen Edgar , single work poetry
Hooki"I discovered a bird with a hook in its mouth,", Nathan Curnow , single work poetry
X