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Issue Details: First known date: 2017... 2017 Words and Spills: Disability, Sexuality and Cripping Your Poetry
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'What am I doing?

'Writing while crip is complicated.

'Not the act itself, not always. My hands work most of the time, and I have access to screen readers and dictation software. But writing crip is messy and awkward and bodied and mine, because no ‘experience of disability is universal’ (Kafer 2013, 34), no matter how much anyone wants it to be.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review No Theme No 6 vol. 80 1 May 2017 11328177 2017 periodical issue

    'It was a great privilege, if a little overwhelming (I had about 1,800 poems to read), to edit this edition of Cordite Poetry Review and, as it is not themed, I had the luxury of choosing poems on various subjects. I have tried to make the issue varied but also unified by my aesthetic principles. I am one of those poets who believe aesthetics are important, that an over-heated experimental or exploratory approach, or a poetics that privileges linguistic flux over emotional stability or response, can take us away from the deep connection that language has with the body. This is one reason why I have an affection for the lyric, and I do not hold to the assumption that the poet does not exist, or that the movement inwards, towards subjectivity, is innately problematic. From the body we get idiosyncrasies of rhythm, music, voice, sensual knowledge, syntactical deportment, emotion and ideas. No-one who writes a poem is ever disembodied, though sometimes it can seem as if they are, given the overabundance of abstraction and linguistic imprecision that occurred in many of the poems I read for this issue.' (Judith Beveridge : Editorial introduction)

    2017
Last amended 20 Mar 2018 15:23:33
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