Issue Details: First known date: 2010 2010
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AbstractHistoryArchive Description

'This essay begins by mapping the place of settler postcolonialism in postcolonial studies, and its relevance to the Australian context. It then moves to demonstrate the applicability of settler postcolonial reading practices for Australian texts and contexts through two paradigmatic tropes: land and textuality.' Source: Modern Australian Criticism and Theory (2010)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Modern Australian Criticism and Theory Aodaliya wen xue pi ping he li lun Wang Guanglin (editor), David Carter (editor), Qindao : China Ocean University Press , 2010 Z1715709 2010 anthology criticism

    'Modern Australian Criticism and Theory brings together a selection of contemporary essays on Australian literature and cultural studies written by leading Australian critics and theorists...

    The essays selected for this volume reflect upon the main critical and theoretical influences on the study of Australian literature and culture since the 1980s...' Source: Modern Australian Criticism and Theory (2010)

    澳大利亚文学批评和理论
    Qindao : China Ocean University Press , 2010
    pg. 28-40
    Note: Includes Bibliographical references

Works about this Work

The Ruin of Time and the Temporality of Belonging : Journey to the Stone Country and Landscape of Farewell Brigid Rooney , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 201-216)
'At first glance, Landscape of Farewell (2007) appears a simpler, more streamlined story than its predecessor, Journey to the Stone Country (2002). In the first person, Max Otto, a widowed German professor specialising in the history of massacres, tells of his journey to Mount Nebo in Central Queensland, a journey precipitated by his encounter with visiting Aboriginal Australian academic Vita McLelland. His journey is conducted in the context of his not yet assuaged grief for his wife, and of his haunted suspicions about his father's complicity in the horrors of wartime Germany. Peter Pierce (2004) has identified some of Miller's enduring preoccupations: 'solitariness', 'artful evocations of the visceral', tensions between ancestry, freedom and exile, and the indeterminacy of memory. While many of these recur in Landscape, I focus in this paper on how the theme of time is exercised in this novel, with its spare but concentrated prose and apparently straightforward narration. How does Landscape of Farewell draw us inwards as well as onwards, into an intricately nested set of temporalities that speak to selfhood, truth and reparation, to cross-cultural translation, to mortality and relinquishment, and to the intractable terrain of moral debate about the past? What does Miller's mode of narration bring to familiar questions, in Australian culture, of place and belonging?' (Source: http://sydney.edu.au/arts/australian_literature/images/content/conferences/miller_abstracts2.pdf)
The Ruin of Time and the Temporality of Belonging : Journey to the Stone Country and Landscape of Farewell Brigid Rooney , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 201-216)
'At first glance, Landscape of Farewell (2007) appears a simpler, more streamlined story than its predecessor, Journey to the Stone Country (2002). In the first person, Max Otto, a widowed German professor specialising in the history of massacres, tells of his journey to Mount Nebo in Central Queensland, a journey precipitated by his encounter with visiting Aboriginal Australian academic Vita McLelland. His journey is conducted in the context of his not yet assuaged grief for his wife, and of his haunted suspicions about his father's complicity in the horrors of wartime Germany. Peter Pierce (2004) has identified some of Miller's enduring preoccupations: 'solitariness', 'artful evocations of the visceral', tensions between ancestry, freedom and exile, and the indeterminacy of memory. While many of these recur in Landscape, I focus in this paper on how the theme of time is exercised in this novel, with its spare but concentrated prose and apparently straightforward narration. How does Landscape of Farewell draw us inwards as well as onwards, into an intricately nested set of temporalities that speak to selfhood, truth and reparation, to cross-cultural translation, to mortality and relinquishment, and to the intractable terrain of moral debate about the past? What does Miller's mode of narration bring to familiar questions, in Australian culture, of place and belonging?' (Source: http://sydney.edu.au/arts/australian_literature/images/content/conferences/miller_abstracts2.pdf)
Last amended 5 Dec 2011 10:03:39
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