'The Malcolm Robertson Foundation supports the development and presentation of original Australian works by way of a Writers Program. Since 2004, the program has commissioned two emerging artists per year to write a new Australian work for Malthouse Theatre.'
The Malcolm Robertson Prize was inaugurated in 2000 in recognition of Robertson's 'contribution, commitment and leadership in the development of new playwrights within Playbox and the broader Melbourne theatre industry.' The prize is awarded annually to a new and emerging playwright, resident in Victoria, who has never had work produced by Playbox Theatre.
(Source: Playbox Theatre website, http://www.playbox.com.au/company/awards.htm)
'Hailing from the streets of Frankston, Chase is on a spiritual journey to reclaim her cultural heritage. Compelling, repelling, and funny, she sifts through the weeds of contemporary culture with a handy cam and her 33 YouTube subscribers for company.
'If only Chase understood half of what she helps others discover.
'Carly Sheppard has been developing and performing the character of Chase for nearly a decade. A macro metaphor of our colonial shame, Chase is equally offensive to theatergoers from every walk of life. But therein lies her power. Chase is a mirror back to Australia.
'Meet Chase. You just might see yourself.'
Source: HotHouse Theatre.
'A play about two brothers, Niv and Sai, heading to the mountains to bury the hatchet on a lifelong rivalry.
'Big brother Niv has gone vegan. He’s madly in love, he's starting his own business, and seems to have finally found himself after years as the black sheep of the family. In an attempt to reconcile their differences, Niv invites golden child Sai and his new girlfriend Kate on a ski trip where they can put the past aside for the sake of family.
'But when party banter turns political, Kate stumbles into a minefield, and finds herself the focal point of an all-out war.'
Source: Publisher's blurb.
'I don’t know when I first saw it / In a memory, a premonition, or a dream.
'It was a house and it was on fire / I was the house and I was on fire.
'A suburban netball team. A new player. Cass says she wants to fit in but if she won’t play by their rules why does she bother coming at all? She claims to see something they cannot, a warning of sorts. All the other women want to do is play. But this player will push each of them to a point of furious revelation. Nothing will be left on the court once these women are done with their reckoning.
'A sweaty play about the petty and the profound, the mundane and the mythic, Contest asks how we might be with each other if we don’t have to win.
'Contest is presented in association with New Working Group and Bureau of Works.' (Production summary)
'Sex and the millennial city
'Natalie Yang has just published her memoir, Banana Girl, a sexually explicit look at life as a twenty-something woman in millennial Australia. It isn’t the heart-warming migrant story that people expected. Nor is it a feminist call to arms. And it certainly isn’t on the best-seller lists.
'Going Down is the first full-length play for STC by Michele Lee, winner of the 2016 Queensland Premier’s Drama Award for her play Rice.
'Co-produced with Malthouse Theatre, it’s a brutally funny and frank examination of flawed characters failing at life in the most outrageous ways possible.
'Natalie, for one, has washed up on the shores of anonymity. But she isn’t going to wallow in existential crisis, she’s going to double down. Her next book, 100 Cocks in 100 Nights, could be the scandalous reboot her career needs. Or it could be a complete disaster. Only when she hits rock bottom will she find a way back up.
'"Look, let’s not talk about the Mekong. We’re all women here. Let’s talk about the female gaze. On sex. That’s my life. That’s what I write about." Natalie'