AustLit

'Sita Walker was raised by five strong matriarchs who taught her to believe in God and to be good. Her grandmother, mother and three aunts believed in unshakeable faith, in the power of prayer, in sacrifice, in magic, in the healing of turmeric and tea, and the wisdom of dreams. 

'But as hard as she tries to be good, Sita always suspects that deep down, she isn’t very good at all.

'At 35, she hasn’t prayed in years, her dream of true love has died, and along with it, her faith – not that she’s telling her mother, or her aunts. Instead, she abandons religion in secret, ‘taking tiny pieces of God away, one by one, under cover of darkness.’

'Now, the only way she can fulfill her destiny is to seek out the wisdom of the ones who came before, and truly understand the women who raised her. But will they understand her? Either way, the matriarchy will never be the same again.

'Traversing decades and continents – from Iran to India, Sri Lanka to the Czech Republic, Adelaide to the Torres Strait – The God of No Good is a beautifully lyrical and funny intergenerational memoir about six women and how their lives intertwine.' (Publication summary)

'A groundbreaking work – and a call to arms – that exposes the ongoing colonial violence experienced by First Nations people.

'In this collection of deeply insightful and powerful essays, Chelsea Watego examines the ongoing and daily racism faced by First Nations peoples in so-called Australia. Rather than offer yet another account of ‘the Aboriginal problem’, she theorises a strategy for living in a social world that has only ever imagined Indigenous peoples as destined to die out. Drawing on her own experiences and observations of the operations of the colony, she exposes the lies that settlers tell about Indigenous people. In refusing such stories, Chelsea tells her own: fierce, personal, sometimes funny, sometimes anguished. She speaks not of fighting back but of standing her ground against colonialism in academia, in court, and in media.' (Publication summary)

'I can vividly remember the last steps of the last ballet, walking off the stage led by a mother and knowing the decision I had to make. That was my last dance.'

'Mary Li (nee McKendry) is an international ballet star and a mother like no other. She became a household name when her husband Li Cunxin published his bestselling memoir, Mao's Last Dancer - but that book told only half the story.

'Growing up in a rambunctious family in Rockhampton, Mary discovered an extraordinary early passion for ballet. It saw her move to London at age sixteen, to study at the Royal Ballet School and dance at the London Festival Ballet with the likes of Nureyev, and later to Houston Ballet, where as Principal Dancer she fell in love with the acclaimed Chinese ballet dancer Li Cunxin. The couple became the darlings of the dance world, and were happier than they could have imagined at the arrival of their firstborn daughter, Sophie.

'Then right at the height of her international career, Mary seemingly disappeared from view, leaving the fans aghast. What could have happened to cause a woman so committed, so talented, to give it all away in a heartbeat? Now, almost twenty years on, fans finally get their answer about what happened next to this inspiring family, and learn why it is Mary's turn to tell a truly remarkable tale.

'Mary's Last Dance is a powerful and uplifting memoir about chasing an impossible dream, and sacrificing one's own ambition for the love of a child. It is a moving and unforgettable story of passion, dedication and devotion - and the highly anticipated sequel to one of the world's most beloved books.' (Publication summary)

'Meet Willa Waters, aged 8 . . . 33 . . . and 93.

On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.

On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .

On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.

Can the three Willas come together, to heal their past and save their future, before it’s too late?'

Source: Publisher's blurb.

'From fishing villages on the Gujarat coastline to Adani's power plant in Mundra and the company's headquarters in Ahmedabad, Lindsay Simpson’s personal story tracks how the Adani Group managed to woo Australian governments into approving Australia’s largest coal mine in the Galilee Basin and port expansion in a zone of great ecological sensitivity.

'Why would an Australian Prime Minister, a State Premier and a handful of regional mayors back such a project, risking the future of the Great Barrier Reef and threatening Australia’s vast precious source of underground water – the Great Artesian Basin? And what of the consequences for greenhouse gas emissions if other proposed mines in the Galilee Basin go ahead?

'Why is there a single-minded pursuit of the mining of coal when we are running out of time to do something useful about climate change? As a tourism operator in the Whitsundays Lindsay Simpson, investigative journalist, former academic and author, is determined to expose the contribution of coal mines to global warming, which is threatening the world’s largest living organism – the Great Barrier Reef – with extinction.

'With other activists, she travels from Adani's Indian headquarters in Gujarat to Parliament House in Canberra to lobby politicians, demand answers and question motivations. She also documents the power of the social movement, Stop Adani, which has captured the public imagination.

'In an astute analysis of this ongoing environmental battle, the biggest since the Franklin Dam in the 1980s, Lindsay Simpson argues that while Adani might have gained the backing of politicians, it has not won over the Australian people. (Publication summary)