'I would like to open with a proposition, a theory if you like, that, in a great many narratives , there is a place, a site, where they confess, or at least pay some acknowledgement to, the stories they have not followed in order to follow the story that they have. Their roadkil, one might facetiously term it, their rejectamenta, their abject. And it is not just stories, it is concepts as well, even or perhaps especially ethical positions: places, sites, where they acknowledge all that has had to be set aside in order for those stories, concepts and ethical positions to come to be. I do not say that they in any way specify or itemise them, or that this acknowledgement is anything but the vaguest symbolisation - indeed, it is so much a matter of the subconscious that it is hard to see how it could be - although in some cases they can take a pronounced and almost indisputable form.
In one of the bold philosophical projects of which I sometimes dream, I would in fact go further and attempt to demonstrate a collateral premise that much of our human ethics are based upon a separation from and rejection - abjection is a better term, since this is a matter of our identity and what we do to shore it - of the animal, and that the animal therefore always haunts, unacknowledged, our ethical reflections. Miller's texts, I suggest, are ethical reflections, and so are haunted in this way.' (Author's introduction 187)