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AbstractHistoryArchive Description
'A gun. A bath. A telephone. An island.
The island is all Vera has ever known. She lives with her father, a man who lights stars in the darkness, paints clouds in the sky and conjures the evening tide. One night after a storm a young man washes up on the shore, half dead, and everything Vera knows is turned upside down.
Intimate and immersive, Land & Sea is a rich and intoxicating theatrical 'strange loop'. Reality expands and contracts. Time and space are not what they seem as multiple fragments of the same story twist and tunnel into a kaleidoscopic world of wonder and absurdity.' (Source: City Messenger website)
The island is all Vera has ever known. She lives with her father, a man who lights stars in the darkness, paints clouds in the sky and conjures the evening tide. One night after a storm a young man washes up on the shore, half dead, and everything Vera knows is turned upside down.
Intimate and immersive, Land & Sea is a rich and intoxicating theatrical 'strange loop'. Reality expands and contracts. Time and space are not what they seem as multiple fragments of the same story twist and tunnel into a kaleidoscopic world of wonder and absurdity.' (Source: City Messenger website)
Production Details
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Performed at Queen's Theatre, Adelaide: 12 - 17 May 2012.
Directed by Chris Drummond
Produced by Kay Jamieson
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Lost in Sea of Troubles
2012
single work
review
— Appears in: The Australian , 15 May 2012; (p. 14)
— Review of Land & Sea 2012 single work drama -
Sea Bloom
2012
single work
column
— Appears in: The Adelaide Review , May no. 387 2012; (p. 32)
-
Lost in Sea of Troubles
2012
single work
review
— Appears in: The Australian , 15 May 2012; (p. 14)
— Review of Land & Sea 2012 single work drama -
Sea Bloom
2012
single work
column
— Appears in: The Adelaide Review , May no. 387 2012; (p. 32)
Last amended 3 May 2012 09:56:44