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Realism. Four Preludes sequence   poetry  
Issue Details: First known date: 2009... 2009 Realism. Four Preludes
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Notes

  • Epigraph: The only realism in art is of the imagination. It is only thus that the work escapes plagiarism after nature and becomes a creation. (William Carlos Williams)

Includes

The Effect of Travelling in Distant Places i "Attention cones, outward from", Louis Armand , 2009 single work poetry
— Appears in: Divan , no. 7 2009; Cordite Poetry Review , December no. 31 2009; Outcrop : Radical Australian Poetry of Land 2013; (p. 112-115)
Every Convention is Also a Technique i "sleepless thirty days:", Louis Armand , 2009 single work poetry
— Appears in: Cordite Poetry Review , December no. 31 2009; Outcrop : Radical Australian Poetry of Land 2013; (p. 106-110)
A Monument to Something History Plagiarised i ""dark revolving in silent activity." Proximity", Louis Armand , 2009 single work poetry
— Appears in: Cordite Poetry Review , December no. 31 2009; Outcrop : Radical Australian Poetry of Land 2013; (p. 111)
Reprise i "not at all as you had pictured it-", Louis Armand , 2009 single work poetry
— Appears in: Cordite Poetry Review , December no. 31 2009; Outcrop : Radical Australian Poetry of Land 2013; (p. 116-118)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Epic no. 31 December 2009 Z1652928 2009 periodical issue 2009
  • Appears in:
    y separately published work icon Outcrop : Radical Australian Poetry of Land Jeremy Balius (editor), Corey Wakeling (editor), Australia : Black Rider Press , 2013 6844162 2013 anthology poetry

    Outcrop is a new anthology which collects contemporary radical Australian poetry of land. Curated by Corey Wakeling and Jeremy Balius, Outcrop transcribes innovative and significant poetical approaches to land at the crossroads of ecologies and language. The collection, rather than an exhaustive survey, represents a diversity of contemporary Australian radical poetic perspectives. These range from land in content and syntax, to voice, ecology, gesture and land of the body. These are poetic experiments with landscape and geopolitics, exemplars of radical visions of land. Outcrop features poetry from Louis Armand, Laurie Duggan, Ali Cobby Eckermann, Kate Fagan, Michael Farrell, Lionel Fogarty, Keri Glastonbury, Matthew Hall, Fiona Hile, Duncan Hose, Jill Jones, John Kinsella, Astrid Lorange, John Mateer, Peter Minter, Sam Langer, Claire Potter, Pete Spence, Nicola Themistes and Tim Wright.' (Publisher's blurb)

    Australia : Black Rider Press , 2013
    pg. 106-118
Last amended 11 Jan 2010 12:14:41
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