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AbstractHistoryArchive Description
Jacqueline Kent, who was married to Ken Cook, casts an eye over his career as a writer and, particularly, the writing and film adaptation of Wake in Fright.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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‘A Heart That Could be Strong and True’ : Kenneth Cook’s Wake in Fright as Queer Interior
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-15) 'In ' "A heart that could be strong and true": Kenneth Cook's Wake in Fright as queer interior' Monique Rooney presents a compelling reading of the complicated relations between self and other, interior and exterior, in the iconic, troubling text of Wake in Fright. Her discussion focuses on the play of aurality and lyricism in the novel's account of outsider relations, and proposes a reading that draws on Michael Snediker's 'emphasis on a potentially joyful Freud' in classic accounts of queer melancholy in order to attend to what she determines is a 'critique of processes of masculinist dis-identification' in the novel. This important discussion works to reanimate critical consideration not only of a significant and neglected text, but also of broader debates around the reach and nature of metropolitan subjectivities in post- WWII literature in Australia.' (Source: Introduction : Archive Madness, p. 3)
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‘A Heart That Could be Strong and True’ : Kenneth Cook’s Wake in Fright as Queer Interior
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-15) 'In ' "A heart that could be strong and true": Kenneth Cook's Wake in Fright as queer interior' Monique Rooney presents a compelling reading of the complicated relations between self and other, interior and exterior, in the iconic, troubling text of Wake in Fright. Her discussion focuses on the play of aurality and lyricism in the novel's account of outsider relations, and proposes a reading that draws on Michael Snediker's 'emphasis on a potentially joyful Freud' in classic accounts of queer melancholy in order to attend to what she determines is a 'critique of processes of masculinist dis-identification' in the novel. This important discussion works to reanimate critical consideration not only of a significant and neglected text, but also of broader debates around the reach and nature of metropolitan subjectivities in post- WWII literature in Australia.' (Source: Introduction : Archive Madness, p. 3)
Last amended 11 Nov 2009 16:44:21
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