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form y separately published work icon Salvation single work   film/TV  
Issue Details: First known date: 2008... 2008 Salvation
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

To the Point on Point Chris Haywood , 2009 single work criticism
— Appears in: Senses of Cinema , no. 53 2009;
Paul Cox : An Appreciation Roger Ebert , 2009 single work criticism
— Appears in: Senses of Cinema , no. 53 2009;
Excess in Oz : The Crazy Russian and the Quiet Australian Greg Dolgopolov , 2009 single work criticism
— Appears in: Diasporas of Australian Cinema 2009; (p. 83-92)

'How are Russians portrayed in Australian cinema? In contrast to their proportionally small population and minor, non -cohesive multicultural grouping, there hove been numerous representations of Russians in Australian Films and television serials. These are exoticized images that use Russians as catalysts of narrative conflict and cultural excess. Russia occupies on ambivalent space in the Australian cinematic imagination: romantic, mysterious, dangerous, emotional and dramatic. It is imagery informed by literary classics, especially the psychological lavishness of Leo To!stay and the spiritual inordinateness of Fyodor Dostoyevsky. While there is a long history of Russian migration, there is a relatively recent record of the representation of Russians on Australian screens. Russians are not cast as villains in the same way that we come to expect from American cinema during the Cold War, nor are Russians portrayed as 'normal', assimilated members of a brood multi -ethnic nation. They are more often cast as exotic, passionate and radical, dangerous and excessive.' (Publication abstract)

Parting Blow to Evangelism Evan Williams , 2009 single work review
— Appears in: The Weekend Australian , 21-22 March 2009; (p. 23)

— Review of Two Fists One Heart Rai Fazio , 2009 single work film/TV ; Salvation Paul Cox , 2008 single work film/TV
New Release Tom Ryan , 2009 single work review
— Appears in: The Sunday Age , 22 March 2009; (p. 23)

— Review of Salvation Paul Cox , 2008 single work film/TV
Dear Lord, We Thank You for Eccentric Artists Paul Byrnes , 2009 single work review
— Appears in: The Sydney Morning Herald , 19 March 2009; (p. 16)

— Review of Salvation Paul Cox , 2008 single work film/TV
Tuning into an Evangelist Who Is Blinded by the Faith Philippa Hawker , 2009 single work review
— Appears in: The Age , 19 March 2009; (p. 21)

— Review of Salvation Paul Cox , 2008 single work film/TV
New Release Tom Ryan , 2009 single work review
— Appears in: The Sunday Age , 22 March 2009; (p. 23)

— Review of Salvation Paul Cox , 2008 single work film/TV
Parting Blow to Evangelism Evan Williams , 2009 single work review
— Appears in: The Weekend Australian , 21-22 March 2009; (p. 23)

— Review of Two Fists One Heart Rai Fazio , 2009 single work film/TV ; Salvation Paul Cox , 2008 single work film/TV
Shadows on the Road to Salvation Philippa Hawker , 2009 single work column
— Appears in: The Age , 9 March 2009; (p. 3)
Excess in Oz : The Crazy Russian and the Quiet Australian Greg Dolgopolov , 2009 single work criticism
— Appears in: Diasporas of Australian Cinema 2009; (p. 83-92)

'How are Russians portrayed in Australian cinema? In contrast to their proportionally small population and minor, non -cohesive multicultural grouping, there hove been numerous representations of Russians in Australian Films and television serials. These are exoticized images that use Russians as catalysts of narrative conflict and cultural excess. Russia occupies on ambivalent space in the Australian cinematic imagination: romantic, mysterious, dangerous, emotional and dramatic. It is imagery informed by literary classics, especially the psychological lavishness of Leo To!stay and the spiritual inordinateness of Fyodor Dostoyevsky. While there is a long history of Russian migration, there is a relatively recent record of the representation of Russians on Australian screens. Russians are not cast as villains in the same way that we come to expect from American cinema during the Cold War, nor are Russians portrayed as 'normal', assimilated members of a brood multi -ethnic nation. They are more often cast as exotic, passionate and radical, dangerous and excessive.' (Publication abstract)

Paul Cox : An Appreciation Roger Ebert , 2009 single work criticism
— Appears in: Senses of Cinema , no. 53 2009;
To the Point on Point Chris Haywood , 2009 single work criticism
— Appears in: Senses of Cinema , no. 53 2009;
Last amended 23 Mar 2009 11:33:54
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