AustLit logo

AustLit

image of person or book cover 4135564164776336662.jpg
Image courtesy of publisher's website.
y separately published work icon Orpheus Lost single work   novel  
Issue Details: First known date: 2007... 2007 Orpheus Lost
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.

Units Teaching this Work

Text Unit Name Institution Year
y separately published work icon Orpheus Lost Janette Turner Hospital , Pymble London : Fourth Estate , 2007 Z1364404 2007 single work novel (taught in 5 units)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

Theories of Text and Culture Southern Cross University 2010 (Semester 1)
y separately published work icon Orpheus Lost Janette Turner Hospital , Pymble London : Fourth Estate , 2007 Z1364404 2007 single work novel (taught in 5 units)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

Theories of Text and Culture Southern Cross University 2012 (Semester 1)
y separately published work icon Orpheus Lost Janette Turner Hospital , Pymble London : Fourth Estate , 2007 Z1364404 2007 single work novel (taught in 5 units)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

Theories of Text and Culture Southern Cross University 2016 (Semester 2)
y separately published work icon Orpheus Lost Janette Turner Hospital , Pymble London : Fourth Estate , 2007 Z1364404 2007 single work novel (taught in 5 units)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

Postcolonial Texts Universidade de Aveiro 2010 (Semester 2)
y separately published work icon Orpheus Lost Janette Turner Hospital , Pymble London : Fourth Estate , 2007 Z1364404 2007 single work novel (taught in 5 units)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

21st Century Literature University of Queensland 2012
X