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y separately published work icon Black Lives, Rainbow Visions : Indigenous Sitings in the Creative Arts anthology  
Alternative title: Black Lives, Rainbow Visions
Issue Details: First known date: 1999... 1999 Black Lives, Rainbow Visions : Indigenous Sitings in the Creative Arts
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Contents

* Contents derived from the Ainslie, North Canberra area, Canberra, Australian Capital Territory,:Aberrant Genotype Press , 1999 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Introduction : Black Lives, Rainbow Visions, Jennifer A. Martiniello , single work criticism (p. 1-2)
Black Hearti"My heart is black as Cherbourg although my skin is fair,", Phillip Bell , single work poetry (p. 9)
Memories of Minei"With respect I do recall ANZACs who've passed before;", Phillip Bell , single work poetry (p. 9)
My Eternal Shamei"I can only tell my story for I've only lived my life,", Phillip Bell , single work poetry (p. 10)
Back to Purga, Tracey Bunda , single work prose (p. 13)
Sisterhood is Powerful?i"Oh! Sister can't you see?", Tracey Bunda , single work poetry (p. 14)
Yeh, Righti"If only there had been", Beth Craddy , single work poetry (p. 19)
River Red Gumi"Tracing fingers across the bark,", Beth Craddy , single work poetry (p. 19)
The Light is on buti"Refrigerators do not meditate,", Beth Craddy , single work poetry (p. 19)
Futuresi"The blossoming clouds of human excesses,", Beth Craddy , single work poetry (p. 19)
Untitledi"They say, write, turn away, move on...", Lyndy Delian , single work poetry (p. 21)
Untitledi"Take me to the desert", Lyndy Delian , single work poetry (p. 21)
Untitledi"Angel or devil it is hard to say", Lyndy Delian , single work poetry (p. 21)
The Palm and the Fist, Denise Dixon , single work extract
'I started writing this play two years ago, finished it in Oct '98 and the editing in Feb '99. I am presently writing the music and lyrics, and have completed the first three songs. The Palm and the Fist is about family. It touches on stolen childhood, the importance of speaking positives to our kids, e.g. 'blessing our children', and imparting identity. This is the essence of who we are. We have so much to teach our non-Indigenous community about family and identity. This play and music provides a little glimpse of this.' Source: Black Lives, Rainbow Visions: Indigenous Sitings in the Creative Arts (1999)
 (p. 22-23)
Colonising Speciesi"You see the oak and the willow", Euroka Gilbert , single work poetry (p. 37)
The Old Daysi"Fringe dwellers, that's what we were", Elizabeth Grant , single work poetry (p. 41)
Saturday Night Escape, Elizabeth Grant , single work prose (p. 41)
Mirriyula, Stan Grant , single work prose Indigenous story (p. 44)
Surrenderingi"Opening up", Judy Hammond , single work poetry (p. 49)
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