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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Out from Under the Balcony
2006
single work
review
— Appears in: The Times Literary Supplement , 1 September no. 5396 2006; (p. 16-17)
— Review of Margaret Olley : Far from a Still Life 2005 single work biography ; Jeffrey Smart 2005 single work biography'One big advantage of having your name attached for long enough to Australia’s unstoppable cultural upsurge is that you eventually get to meet everyone else.
'Last time I looked, I was personally acquainted with at least three of the most illustrious Australian painters of the post-war generation, the gang who put the Australian branch of their art-form on an international level. Admittedly I had met Sidney Nolan and Charles Blackman only once, and Russell Drysdale and Arthur Boyd not at all. But Margaret…' (Introduction)
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The Age of Paint
2005
single work
review
— Appears in: The Age , 31 December 2005; (p. 19)
— Review of Margaret Olley : Far from a Still Life 2005 single work biography ; Jeffrey Smart 2005 single work biography
-
The Age of Paint
2005
single work
review
— Appears in: The Age , 31 December 2005; (p. 19)
— Review of Margaret Olley : Far from a Still Life 2005 single work biography ; Jeffrey Smart 2005 single work biography -
Out from Under the Balcony
2006
single work
review
— Appears in: The Times Literary Supplement , 1 September no. 5396 2006; (p. 16-17)
— Review of Margaret Olley : Far from a Still Life 2005 single work biography ; Jeffrey Smart 2005 single work biography'One big advantage of having your name attached for long enough to Australia’s unstoppable cultural upsurge is that you eventually get to meet everyone else.
'Last time I looked, I was personally acquainted with at least three of the most illustrious Australian painters of the post-war generation, the gang who put the Australian branch of their art-form on an international level. Admittedly I had met Sidney Nolan and Charles Blackman only once, and Russell Drysdale and Arthur Boyd not at all. But Margaret…' (Introduction)
